The first time I saw Bruce Springsteen in concert, as a 15-year-old back in 1974, I might've called it "a religious experience." In the 16 times I've seen him since, I've often thought he resembles an evangelist on stage—whether he's extolling the virtues of rock or urging the crowd to donate to a local food bank. This guy grew up in a Catholic home and seems to understand the concepts of sin, the Cross, confession, and redemption. These themes have all shown up in his music over the years.

Springsteen's last three studio albums—The Rising (2002), Devils & Dust (2005), and We Shall Overcome: The Seeger Sessions (2006)—are especially rife with spiritual imagery. And, by default, so is this summer's release, Live in Dublin, which includes many cuts from the Seeger CD.

The Seeger Sessions, all songs previously recorded by folk legend Pete Seeger, includes "How Can I Keep from Singing?", "O Mary Don't You Weep," "Jacob's Ladder," and "Eyes on the Prize," an old Holiness hymn that declares, "I got my hand on the gospel plow / Won't take nothing for my journey now / Keep your eyes on the prize, hold on."

Devils & Dust, meanwhile, is chock full of songs about hope, love, and redemption, as well as tales of sin, brokenness, and confession. The album's spiritual highlight is "Jesus Was an Only Son," which poignantly captures the bond between Mother and Child:

As he walked up Calvary Hill / His mother walking beside him / In the path where his blood spilled / Jesus was an only son / In the hills of Nazareth / As he lay reading the Psalms of David / At his mother's feet …
Well, Jesus kissed his mother's hands / Whispered, "Mother, still your tears" / For remember the soul of the universe / Willed a world and it appeared. ...
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August 2007

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