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It started as a simple concept that grew into a fully developed idea, which took the shape of a song and eventually evolved into a rock opera. Shortly after that it expanded into the medium of comic books and then a trilogy of novels.
The phenomenon is called !Hero, and don't let the oddly placed exclamation point throw you—love it or hate it, it's there to call attention to the title. The vision behind !Hero stems from Eddie DeGarmo, best known as half of the Christian rock duo DeGarmo & Key, as well as the co-founder of Forefront Records. Currently the President of EMI Christian Music Publishing, DeGarmo has made !Hero a labor of love for more than ten years now. "I wanted to do a modern depiction of Christ that incorporated the culture of today," says the Christian music veteran. "I asked myself, What could I do to re-create the story of Jesus for the MTV Generation?"
DeGarmo started by writing a song called "Hero," the core of what has now evolved into a 33-track, two-hour rock opera. Since DeGarmo is a product of the late '60s and early '70s, it's natural to draw comparisons between !Hero and the messianic-themed rock operas of that era. This new creation combines the heart of Stephen Schwartz's Godspell with what is essentially the same story as Andrew Lloyd Webber's Jesus Christ Superstar, set to music that is the modern rock and hip-hop equivalent of The Who's Tommy with the goals of a Billy Graham Crusade.
!Hero was written by two evangelically minded Christian music veterans, DeGarmo and his friend Bob Farrell (from Farrell & Farrell). A retelling of Christ's Passion through modern music, it's also a hypothetical glimpse of a parallel universe that is seeing the Word made flesh for the first time. "I'm not the first guy to do this kind of adaptation [of the Gospel]," says DeGarmo. "The difference for me was that I gave this particular version of the world 2,000 more years to get weirder. It's not a second coming, it's the first coming."
In the !Hero universe, society is controlled by the International Confederation of Nations (ICON), a modern equivalent to the Roman Empire of biblical times with some reasonable similarities to the Global Community of the ever-popular Left Behind series. There are no Christian churches in this version of our world. Street violence is rampant, kept in check by the police state that is ICON.
!Hero is intended to be somewhat provocative in its modern-day depiction of the story of Jesus. In this universe, Hero is an African-American born in Bethlehem (Pennsylvania), who takes his divine mission to New York City. One of his first disciples, Petrov/Peter, first appears on stage wearing a t-shirt with a Confederate flag on it. The modern depiction of the wedding feast at Cana has the rabbi singing like a gospel preacher. In the gospels of Mark and Luke, Jairus is a prominent leader in the Jewish community; in !Hero he's a drug kingpin.
The story is narrated by ICON Agent Alex Hunter, who serves as the rock opera's hip-hop Greek chorus as well as the modern depiction of the faithful centurion (perhaps with a touch of Paul, the persecutor turned apostle). Piecing together pivotal events, beginning with the calling of the disciples, he offers the gospel according to Agent Hunter, if you will.
The rock opera's tour doesn't begin until November, but the accompanying CD gives a taste of what to expect. All of the roles are sung by prominent or up-and-coming Christian recording artists. Michael Tait (Tait, DC Talk) gives the vocal performance of his career as Hero, depicting Christ with a good balance of power, tenderness, and passion. Rebecca St. James is appropriately seductive and sincere as Maggie/Mary Magdalene, while the powerful rock vocals of Mark Stuart (Audio Adrenaline) provide Petrov with the requisite strength and brashness. But the album's biggest surprise may be Quinlan, a Christian artist and producer with a relatively unknown voice who plays the role of Jude/Judas. Quinlan infuses the part of the traitorous disciple with a dark balance of schemes and misgivings.
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