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In "Books of the Year," posted at the end of 2002, we were able to highlight only a handful of titles. In a moment, we'll mention a few more of interest, including a couple of forthcoming books to watch for. But first, a word about the new format for this column. The Books & Culture Corner will continue as an occasional feature (in mid-February, for instance, look for the Corner's report from the annual AAAS convention—the big science meeting of the year—in Denver). The new weekly feature in this space will be the Book of the Week (sometimes Books), with reviews and interviews taking note of books worthy of attention, pro or con. Since many of the past Corners have been reviews or at least reviewish, this won't mark a radical change.
So many books, so little space. … I would like to thank the number of readers who wrote in response to my recommendation of Haruki Murakami. But why didn't any of you mention that I had listed his collection of stories, After the Quake, as "translated from the Italian"? Probably you were afraid to embarrass me, but I'd rather hear the truth. Especially when the error appears online and can be readily corrected, as this egregious one has been.
Very late in the year I received an extraordinary book of photographs: Home Front: American Flags from Across the United States, by Peter Elliott, printed on gorgeously heavy paper and published by Chicago's Lily Bay Press (distributed by University of Chicago Press). I couldn't make my way into most of the books occasioned by 9/11, but Elliott's book is an exception.
As Jody Bottum observed not long ago in The Weekly Standard, we are living in a golden age of reprints—so much so that we tend to assume the immediate availability of any book published in the last 100 years or so. Some of the reissues, like those in Vintage's splendid Philip K. Dick project, are titles that were hard or next-to-impossible to find unless you wanted to deal with collectors. Also demanding gratitude are the ongoing New Directions reprints of Muriel Spark, including most recently her early novel, Robinson (taking off from Robinson Crusoe), an astonishing book brimming over with exuberance at the sheer sorcery of storytelling.
Also late last year, the stubbornly independent Chicago-based publisher, Ivan R. Dee, issued the sixth and final volume of Aldous Huxley's Complete Essays. Huxley began as a materialist but ended as a pioneer of the various consciousness-raising movements (drug-fueled and otherwise) that have flourished since the 1960s. His essays are best read as documents that help to explain how we got where we are today.
Meanwhile, publishers' catalogues for 2003 are arriving at my office everyday. Here for starters are four titles to watch for. First and foremost, from Yale University Press in April, Jonathan Edwards: A Life, the long-awaited biography by George Marsden. From Little, Brown, in February, Ian Rankin's Resurrection Men, the latest book in his immensely successful series featuring the unconventional Scottish police detective, John Rebus. If you like this one, go back to the beginning of the series (Knots and Crosses is the first book) and read them in chronological sequence, since—unlike the protagonists of many long-running sagas—Rebus ages more or less in real time.
Also due in February, from Harcourt's paperback line, Harvest, is Marly Youmans' Civil War novel, The Wolf Pit, first published in hardcover by Farrar, Straus and Giroux in the fall of 2001. Look for a review of this novel by Tim Stafford in the July/August issue of Books & Culture, which will feature a special section on the Civil War. For me, Youmans was the biggest discovery of the past year. I had missed not only The Wolf Pit but also her two previous novels, Catherwood and Little Jordan. Like Muriel Spark, though with an entirely different sensibility, she's a literary sorcerer—and, like Spark, a deeply Christian novelist.
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