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An inspection for a road widening project in the town of Prittlewell, Essex, has yielded what British archeologists are calling the most important find in decades: an early 7th-century tomb of an apparent Anglo-Saxon king. "Two foil crosses, probably originally laid on the body or sewn to a shroud, suggest that the king had converted from paganism to Christianity," senior archaeologist Ian Blair told the press. The crosses, the first of their kind found in England (they were more popular on the continent) also may be a key to the king's identity. The skeleton has long decayed in the acidic soil, but the grave may be that of Sabert, the first Christian king of Essex. That the burial chamber also contained other goods, such as his sword and shield, copper bowls, and glass containers-not typical for Christian burials-supports the story of church historian Bede: Immediately after Sabert's death, he writes, the king's three sons "began openly to give themselves up to idolatry, which, during their father's lifetime, they had seemed somewhat to abandon, and they granted free license to their subjects to serve idols." The sons also drove out the bishop, and it wasn't until King Sigbert accepted Christianity in 653 that the faith took deeper root. Some scholars speculate that the chamber belonged to Sigbert rather than to Sabert, while most say it's too early to tell. The artifacts are now at the Museum of London.

Around the world, Moravian graveyards are known as "God's Acre." But the original Gudsageren can still be found in the East German town of Herrnhut, the home base of Moravianism's founder, Count Nicolaus Ludwig von Zinzendorf. Moravianism's precursor group, the 15th-century Unitum Fratrum, believed strongly in the equality of all Christian women and men. That leveling is reflected in the gravestones in God's Acre, which lie flat and level with the ground. "Whatever a Brother or Sister may have achieved in life, in death one could not presume to set oneself above the brethren, even those enslaved," Zinzendorf reportedly said. Only the stones of Zinzendorf and his family are raised. It is here in God's Acre that the Moravians have held their Easter Sunday sunrise services, saying "The Lord is risen" as the sun first breaks the horizon.

We are so used to the word iconic that we forget how forceful the stylization of actual icons can be," said a New York Times editorial about "Byzantium: Faith and Power (1261-1557)," a major exhibit at New York's Metropolitan Museum of Art. The exhibit runs through July 4, 2004 and has a massive companion volume. Some of the 350 pieces of Byzantine art from 30 countries have never been seen outside the churches and monasteries that normally house them. But in his address opening the exhibit, Patriarch Bartholomew said it's the faith that created the art, not the art itself, that viewers should behold. "May the works in this exhibit lead us to the right path of true faith from which true spiritual power derives," he said. "This spiritual power, in turn, is the creative power behind these works of art. Most importantly, it is the creative power behind works of life that are less glamorous, but nevertheless are works that produce love for one another, joy and hope in life."

The most critically acclaimed box set of music in the last year may not be that of Johnny Cash, or George Harrison, or Peter, Paul, & Mary-or even come from an actual record label. Goodbye, Babylon, the only offering from Dust-to-Digital Records, is a six-CD set of 135 early 20th-century gospel music recordings and 25 sermon excerpts, some as old as the Dinwiddie Coloured Quartet's 1902 "Down on the Old Camp Ground." While collections of old blues from the days of 78 RPM records are ubiquitous these days, never before has the sound of old gospel-both white and black-been compiled so extensively. Goodbye, Babylon includes such familiar names as Blind Willie McTell, Mahalia Jackson, the Carter Family, Thomas A. Dorsey, and Hank Williams. Others, from Pentecostal, Baptist, and other backgrounds, aren't known outside these recordings. Having already sold out of several printings after top reviews in Rolling Stone, Entertainment Weekly, and other publications, producer Lance Ledbetter says he's planning a sequel. "We fit as much music on six discs as we possibly could, but there's a lot more I wanted to get on there," he told The Washington Post. "Stuff like 'Sermon on a Silver Dollar,' and 'Something's Wrong With the Bible'; there just wasn't enough room." Such sermons, he noted, are the foundation of modern rap music.

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