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Christian History magazine

Bach Archive researcher Michael Maul was looking through a shoebox that had only narrowly escaped a fire in the Anna Amalia Library a few months before. Inside lay more than 100 letters and poems for the 52nd birthday of Johann Sebastian Bach's patron, Duke Wilhelm Ernst of Saxe-Weimar. Maul had hoped to find a greeting from the composer himself, who in 1713 was the court organist. But what he found instead was a two-page hand-written aria for soprano and harpsichord, the first Bach vocal work discovered in 70 years.

The text is a 12-stanza poem by Johann Anton Mylius, beginning, "Alles mit Gott und nichts ohn' ihn" (Everything with God and nothing without him). The music, British conductor John Eliot Gardiner told The Guardian, is "a reflective, meditative, soothing piece, as Bach's church music so often is." The Bach Archive asked Gardiner to record and perform the piece in December, but the aria's first recording can be heard free at NPR.org.

Underneath Herefordshire Council's parking lot in Leominster, England, lies a Saxon rotunda, 56 feet in diameter. The council says the find, discovered by radar, is probably a 10th- or 11th-century baptistry, chapel, or mausoleum. "This is a tremendously important find- an opportunity to rewrite the early history of Christianity," Bruce Watson, a senior archaeologist with the Museum of London Archaeology Service, told the London Times.

Probably a medieval addition to a monastery founded around 660 by King Merewalh (or Merewald), the round structure appears to be well preserved. "It may be like going to a house and seeing the contents left behind," says Watson, who wonders if those contents may include gifts from noted patron Leofric III (d. 1057) and his wife, Godiva (famous for her unclad ride through Coventry). Excavation began in August.

Some CDs have liner notes. The Sounds of Slavery, which features 18 tracks (mostly 1930s field recordings) of sermons, spirituals, hollers, and other sounds, has a 288-page hardcover book (Beacon Press). "Above all else, slave culture was made to be heard," say authors Shane White and Graham White.

The Codex Sinaiticus, one of the oldest complete Greek New Testament manuscripts, has been off limits to all but the most serious scholars. Only four have been allowed to examine the leaves in the British Library over the last two decades. Soon it will be available to casual browsers. The British Library, the University of Leipzig, Russia's National Library, and Saint Catherine's Monastery in Egypt are uniting for a four-year, $1.3-million project that will result in high-resolution images, transcriptions, translations, and commentary. The "hyperspectral imaging" technique "will allow scholars to see all the layers of the manuscript … and thus perceive the various rewrites it has gone through," reports The Economist.

The manuscript, which has been dated to the mid-fourth century, contains half the Old Testament, much of the Apocrypha, all of the New Testament, the "Epistle of Barnabas" and part of the "Shepherd of Hermas" (a moralistic document used for catechumens, but deemed problematic for its teachings on the Trinity). "The codex is so special as a foundation document and a unique icon to Christianity," John Tuck, head of British Collections at the British Library, told The Dallas Morning News. The joint project is remarkable since Saint Catherine's Monastery has long fought the European institutions over ownership claims.

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