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Christian History Home > Issue 95 > The Gospel According to Bach: Recommended Resources


The Gospel According to Bach: Recommended Resources
Dig deeper into this issue's theme.
posted 7/01/2007 04:26PM



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Just getting started
Martin Luther and the Lutheran tradition
J. S. Bach

The definitive biography is Christoph Wolff's Johann Sebastian Bach: The Learned Musician (Norton, 2000). The best shorter "life and works" book is Malcolm Boyd's Bach (Master Musicians Series, Oxford, 3rd ed., 2006). The New Bach Reader, edited by Hans T. David and Arthur Mendel and revised by Christoph Wolff (Norton, 1998) is a superb collection of letters and other documents. Another unique and captivating biography is James R. Gaines's Evening in the Palace of Reason (Fourth Estate, 2005), which interweaves the lives of Bach and Frederick the Great leading up to their meeting in 1747—a clash between the Age of Faith and the Age of Reason.

The starting point for understanding the theology of Bach's music is Jaroslav Pelikan's Bach Among the Theologians (Wipf and Stock, 2003), as well as his book From Luther to Kierkegaard: A Study in the History of Theology (Concordia, 1950). Calvin R. Stapert's My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach (Eerdmans, 2000) is a listener's guide organized according to theological themes. Another listener's guide, though less explicitly theological, is Melvin Ungar's J. S. Bach's Major Works for Voices and Instruments (Scarecrow, 2005).

Here are some other helpful books on Bach's life and music:

Recordings

There is no better way to learn about Bach than to listen to his music, and you will have no trouble finding good recordings of just about everything Bach wrote. The best are by the Bach Collegium Japan under the direction of Masaaki Suzuki. So far they have recorded the St. John Passion, the St. Matthew Passion, and the Christmas Oratorio and are about halfway through the complete sacred cantatas. Take special note of Cantata 147 (which includes "Jesu, Joy of Man's Desiring) in Vol. 12 and Cantata 80 (based on Luther's "A Mighty Fortress") in Vol. 27. The cantata recordings of John Eliot Gardiner, Tom Koopman, Philippe Herreweghe, and Helmuth Rilling are also very good. Here are some other noteworthy recordings:

Internet resources

—Compiled by the authors in this issue and the editors

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