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December 2, 2008
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Home > 2001 > August 6Christianity Today, August 6, 2001  |   |  
Editorial: Aslan Is Still on the Move
There's too little evidence to prove that anyone is 'de-Christianizing' C.S. Lewis.



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They're paving Narnia to put in a strip mall—or so say recent news stories. The front page of The New York Times, the editorial page of The Boston Globe, and op-ed pages around the English-speaking world—not to mention C.S. Lewis devotees—have been decrying not only reports of plans to commercialize Narnia, but what some say is a deliberate effort to play down Lewis's Christianity in marketing efforts.

Unfortunately, stories have become conflated. Concerns about a leaked e-mail regarding how to portray Narnia and Lewis's Christianity in a PBS documentary became enmeshed in news about HarperCollins's efforts to publicize both the children's series and the author's other books. In time, fans believed HarperCollins was going to reissue the Chronicles of Narnia with all religious imagery excised. But, in the words of Lewis's stepson Douglas Gresham, the report was an "evil lie."

Let us separate the truth from the lies. First, the HarperCollins memo never says that the planned PBS documentary went too far in addressing Lewis's faith. On the contrary, HarperSanFrancisco executive Steve Hanselman praised the script: "I think the documentary and its broadcast on PBS will doubtless have the effect of broadening Lewis' recognition and appeal and boost the sales of all his books." Nor does the memo explicitly indicate plans either by the publishing company or the Lewis estate to downplay Lewis's faith.

What has riled so many people is the memo's discussion of how HarperCollins thinks the Lewis estate wants Lewis presented: 1) "No attempt [should] be made to correlate the [Narnia] stories to Christian imagery/theology"; 2) Lewis's conversion should offer a "very general, lay-oriented view of God" with "no characterization of what 'true conversion' or 'true Christianity' is supposed to be"; and 3) "Lewis was much more than a mere apologist."

Yes, these can be read darkly. But they can also be read as a simple strategy to soft-sell Lewis's beliefs to otherwise skeptical readers and let his words work as they will. Lewis himself believed that much of his writing—especially his Narnia tales—allowed solid Christian theology to "steal past those watchful dragons." He was very eager to present himself as a "Mere Christian" rather than as a high-church Anglican. And, truth be told, he was more than an apologist.

One wonders, after the vitriolic attacks by conservative Christians—Why are we so upset over how C.S. Lewis is being marketed? Why all the opprobrium over fear that the jacket covers on Narnia books won't say, "By C.S. Lewis, eminent Christian apologist"? Why aren't we happier that a major publishing company is spending millions upon millions of dollars to get some of the best Christian writing of all time into the hands of people who haven't read it yet? Have we really bought into the lie that "image is everything"?

Rumors will persist that there is some conspiracy afoot to undermine the legacy of Lewis. And there have been enough developments in this story to make us cautious. But where is the smoking gun? If it later becomes clear such a conspiracy exists, Christianity Today will be first on the battlefield. But for now, let us judge HarperCollins and the C.S. Lewis Company by their fruits. If anything, it seems that, at the insistence of Gresham, they're straining at gnats to be true to Lewis's vision. They've renumbered the entire Chronicles of Narnia on the basis of a letter Lewis wrote to a child suggesting that he preferred to read them in Narnian chronology rather than the order in which they were written. Changes to early American editions made at the publisher's request (such as changing the White Witch's Captain of the Secret Police from Maugrim to Fenris Ulf) have been reset to Lewis's original manuscripts. Yes, the plans for new Narnia novels are a categorically bad idea, but the undertaking seems to be more a publicity gimmick for the original series than an initiative for its own sake.





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