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November 24, 2009
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Home > 2003 > April (Web-only)Christianity Today, April (Web-only), 2003  |   |  
Film Forum: Did the Writer of Men in Black Direct a Christian Movie?
"Ed Solomon talks about the seeking characters of his new drama, Levity. Religious press critics review the film, Anger Management, and Ghosts of the Abyss. Plus: Peter T. Chattaway questions the need for a Christian movie genre"




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Michael Medved (Crosswalk) says it "delivers so many of the key elements of CLASSic comedy that the movie's nagging and altogether unnecessary flaws can make you, well, furious." He adds, "The PG-13 rating for Anger Management is, quite simply, an outrage. The kinky sexual material … [makes] this movie wildly inappropriate for most fourteen years olds, let alone the nine and ten year olds who regularly flock to PG-13 material."

Mainstream critics are equally frustrated with the film. Roger Ebert (Chicago Sun-Times) says, "The concept is inspired. The execution is lame. Anger Management, a film that might have been one of Adam Sandler's best, becomes one of Jack Nicholson's worst." You can peruse other mainstream reviews of the film here.

Are you ready to go back to Titanic? James Cameron is.

Ghosts of the Abyss is James Cameron's first movie since 1997's Titanic, and the filmmaker is still quite preoccupied with the boat. This time, he forgoes storytelling and acts as tour guide for a 3-D voyage to the magnificent ruins of the ship, accompanied by Bill Paxton, who serves as narrator.

David DiCerto (Catholic News Service) says, "Cameron wisely restrains from indulging in the more gimmicky tricks usually associated with 3-D movies. While to many, 3-D conjures up images of 1950s audiences donning goofy glasses and dodging projectiles, Cameron judiciously chooses to let the technology remain in the background, enhancing the viewer's overall sensory experience rather than cashing in on funhouse pranks. The 3-D effect is so seamlessly woven into the narrative that after a short time one is no longer conscious of the novelty and surrenders to the voyeuristic thrill of accompanying the filmmaker under the stormy swells, as he voyages down to the luxury steamer's watery grave."

Michael Elliott (Movie Parables) argues, "Cameron does a good job of keeping us involved in his film and showing us the significance of what we are seeing. A few unscripted and unexpected events even add a touch of drama and some added perspective to the expedition."

Movieguide's critic writes, "Ghosts … is a captivating documentary. The movie emphasizes a moral, heroic point of view, which is clearly James Cameron's point of view. The camerawork and editing make this an extraordinary movie. It has some minor flaws, but it is the type of movie many viewers will want to see again and again."

Holly McClure (Crosswalk) says, "I thought it was a good film and interesting. It just missed the ingredients for me to call it a 'great' documentary. I thought it would be scarier than it was because I was expecting him to put 'ghosts' on the ship but he didn't. So it wasn't."

Mainstream critics debate whether the film is a success or a shipwreck here.

Next week: Is Holes a wholesome family film? Is A Mighty Wind just blowing hot air?

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