Critics Plod Through Gods, Fail to Hail David Gale
God gets mentioned a lot in Gods and Generals. But is it a good movie? Plus, reviews of The Life of David Gale, Dark Blue, The Pianist, Gangs of New York, The Lord of the Rings: The Two Towers, City of God, and Daredevil
Jeffrey Overstreet | posted 2/01/2003 12:00AM
It's not exactly a civil war, but religious press film critics posted starkly contrasting reviews this week of the new film by Ron Maxwell.
Gods and Generals, an epic novel of the Civil War by Jeff Shaara, chronicles the Civil War from early 1861 through the 1863 Battle of Chancellorsville. Using this book as his foundation, Maxwell has directed an ambitious, detailed, in-depth film for Turner pictures, a prequel to his 1993 Gettysburg. (You can read Dick Staub's interview with Maxwell here.)
Actors Stephen Lang, Robert Duvall, and Jeff Daniels are the headliners, portraying Confederate generals Stonewall Jackson and Robert E. Lee, and Union Lt. Col. Lawrence Chamberlain, respectively. Their collaboration boasts an impressive array of historical information, wartime heroes, legendary battles, and famous quotations. It also offers more words to and about the Almighty than any film in recent memory.
This massive $60 million dollar undertaking has been presented to pastors as a great movie to share with their congregations. Promotional materials include an exhortation from Fuller Seminary President Richard J. Mouw, who says, "When Hollywood does it right, it is imperative that we as Christians support their efforts. Gods and Generals is a film worthy of your attention." There is even a Bible study tie-in available by Fuller's Craig Detweiler.
But enough about what the filmmakers and the church leaders say about the film. How does it fare with folks who make it their daily mission to examine and discuss movies?
Religious media critics fall into two camps with their responses. There are those for whom historical accuracy and frequent dialogues about faith are enough to qualify this film as a monumental achievement. And then there are those who say that authentic costumes and God-talk are not necessarily signs of artistic excellence.
Ted Baehr (Movieguide) can barely contain his enthusiasm. He writes, "Rarely does a big budget Hollywood movie come along that reflects history and the Christian faith of the protagonists in an historical event accurately and faithfully. Gods and Generals … tells the powerful story of the most important event in the history of the USA in an accurate and faith honoring way." He then heaps on the superlatives: "Brilliant … magnificent … historically accurate … powerful … vast and grand in its scope … phenomenal … a monument of filmmaking which will be remembered as long as there are devices to watch such a superb historical epic. You will be rewarded immeasurably."
(Baehr does not mention in his review that he is more than just a critic this time around. He has been involved with the movie for a while. Ron Maxwell commissioned him to write a companion book to the film—Faith in Gods and Generals—published by Broadman and Holman.)
David Bruce (Hollywood Jesus) calls it "the most spiritual movie I have seen in a long time. It tells the story of faith in a very difficult time. Maxwell is a man of deep faith who is not afraid to explore issues of religious faith."
While Baehr and Bruce celebrate its faith-heavy dialogue, others rejoice for what the film does not have. Holly McClure (Crosswalk) sums it up saying, "If you're looking for language, sex, chase scenes, or gratuitous violence, you won't find it in this historical tribute." Chris Monroe (Christian Spotlight) recommends this war movie because it is "clearly not as gratuitous as … Saving Private Ryan. Furthermore, there is no foul language or sexual content." They are both impressed.
February (Web-only) 2003, Vol. 47