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Million Dollar Baby
Our Rating
3½ Stars - Good
Average Rating
 
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Mpaa Rating
PG-13 (for violence, some disturbing images, thematic material and language)
Directed By
Clint Eastwood
Run Time
2 hours 12 minutes
Cast
Clint Eastwood, Hilary Swank, Morgan Freeman, Jay Baruchel
Theatre Release
January 28, 2005 by Warner Bros.

Editor's note: Many published reviews for this film—though not this one—reveal the surprising turn that the story takes in the third act, so, consumer beware. Knowing where the story is headed won't ruin the film for you, but it will significantly alter your experience.

Some people live lives in which their prayers are answered, their dreams fulfilled, their needs met, and their lives richly blessed. Others live lives of frustration, longing to hear God's voice, carrying excruciating burdens and struggling to maintain their belief that their Creator cares … or that he exists at all.

Million Dollar Baby looks like a boxing movie, but at its heart, it is the story of a spiritually frustrated man. Frankie Dunn (Clint Eastwood) is a boxing trainer and "cut man." When a fighter is wounded, Frankie steps into the ring, wipes up the blood, resets broken bones, and gauges how much more they can take.

Clint Eastwood plays Frankie Dunn, a man in search of meaning—and of God

Clint Eastwood plays Frankie Dunn, a man in search of meaning—and of God

He may be good at patching up others' wounds, but Frankie can't stop his own cuts from bleeding. At night, he kneels, weighed down by the burden of regrets, and asks God to heal his wounds. He attends daily mass, but instead of voicing his deepest conflict, he harasses an exasperated priest with dogmatic questions about the Trinity and the Immaculate Conception. And while he spends his weeks counseling fighters about how to move their feet, his vocabulary becomes a kind of poetry describing his struggle to "protect himself" in fights he can't win on his own. Ultimately, when Frankie and his partner Scrap-Iron (Morgan Freeman) talk about boxing, they're talking about survival. "Everybody's got a particular number of fights in 'em," says Scrap. "Nobody knows what that number is."

There's no American filmmaker more concerned ...

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