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If you go to Amazon.com to purchase Harper Collins's recently released picture book, The Giant Surprise, you will find that C. S. Lewis gets first billing under the "About the Author" header. That's accurate only insofar as God, having created the world, can said to be the author of Julian Barnes's A History of the World in 10 ½ Chapters. For this "Narnia story," "inspired by the stories of C. S. Lewis," is Harper Collins's first sally into Narnia spin-off picture books. The author of The Giant Surprise is Hiawyn Oram, whose books include In the Attic (about a boy who climbs a ladder and discovers an attic full of wonderful creatures—shades of a certain wardrobe here). The jacket copy bills The Giant Surprise as a "brand new story," and the adjectival "brand" is fitting indeed. For The Giant Surprise is not really an exercise in children's literature; it is an exercise in branding.

In The Giant Surprise, we are plunged straight into the marsh-wiggle corner of Narnia. Puddleglum is fishing, and his niece Lally is playing nearby, when some nearby mice alert them to a "terrible roaring" and "sloshing and galoshing." Who's behind the roars and sloshes? Giants! The giants swoop up the friendly mice and run off, with Puddleglum and Lally in fierce pursuit. When the marsh-wiggles arrive at the giants' gorge, their little mice friends are nowhere in sight. So Lally entertains the giants with a game—making rock sandwiches—while Puddleglum searches for, and of course rescues, the missing mice. The end of the picture book sets us up for subsequent Narnia adventures: "Nothing like adventure to remind us life isn't all fishing and mud-winkle stew," sighs Puddleglum. "So what's next, I wonder. Ogres? Dragons?"

Who is this Puddleglum? One must turn to Lewis's The Silver Chair (1953) for his biography. In The Silver Chair (which, though now listed as the sixth installment in the Chronicles of Narnia, was the fourth Narnia novel to be published), Eustace and Jill are out to rescue Prince Rilian. Early on, it is decided that they better have a marsh-wiggle as a guide, for marsh-wiggles—tall, scrawny creatures reminiscent of growth-spurting teenagers—know the lay of the land. So Jill and Eustace come under the care of a marsh-wiggle called Puddleglum who has webbed fingers, whose clothes are the color of soil, and who "seemed to be all legs and arms."

Puddleglum is, well, glum, kind of like Eeyore. He frequently says things like, "I'm trying to catch a few eels to make an eel stew for dinner … but I shouldn't wonder if I didn't get any. And you won't much like them if I do." (Of course, he catches plenty of eels, and Jill and Eustace adore the stew.) Eventually, the motley band finds Rilian, but before they can rush him to safety, they are enchanted by an evil queen who lulls them into a stupor with her music and magical fire. It is Puddleglum who, finally, is able to rouse himself from his trance, stamp out the queen's fire, and destroy her hold over them.

On the most superficial level, The Giant Surprise echoes The Silver Chair. On their trek through Ettinsmoor, Jill, Eustace, and Puddleglum do encounter giants playing a game that looked like stone-throwing. And certainly Puddleglum proves himself to be courageous and heroic in his dealings with the wicked queen. While stomping out the queen's fire in The Silver Chair, Puddleglum burns his foot. His heroism, in other words, is costly, as all Christian, self-sacrificial love is costly. Puddleglum's courage in The Giant Surprise, by contrast, is two-dimensional. There is no cost, just the fun of an exciting adventure.

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December (Web-only) 2005, Vol. 49