Haydn wrote with musical symbolism, choosing notes that both mean and evoke. Take, for example, Haydn's choice of a simple two-note melody (a descending minor third from the fifth to the third of the major scale) to illustrate Jesus' word to his mother. Many years later, composer and music educator Zoltan Kodaly identified these same two notes as the playground call of children in almost every musical culture. "More apropos here," writes Young, these are the two notes with which children call their mothers." Similarly, when Haydn responds to "Why have you forsaken me?" his melodic line and his accompaniment voices are out of sync. "This conveys not just a disorienting, off-kilter sensation," writes Young, "but a feeling of frustration and even panic . " Knowing these things, we hear Haydn with new ears, and he helps us to hear Jesus with new ears.
Meditation always takes time and intentionality. This book is an excellent aid to structuring intention and a richly rewarding way to spend slow time.
Last year, David Neff wrote a meditation on Haydn's Seven Last Words. The Passion, Eight Adagios, and an Earthquake | Haydn's "Seven Last Words" is a powerful guide for Good Friday meditation.
Who Killed Jesus? | After centuries of censure, Jews have been relieved of general responsibility for the death of Jesus. Now who gets the blame? (Aug. 24, 2000)
The Scars of Easter | He knows the wounds of humanity. His hands prove it. By Paul Brand with Philip Yancey (April 18, 2000)
Grave Matters | Take away the Resurrection and the center of Christianity collapses. By N. T. Wright (April 6, 1998)
Jesus v. Sanhedrin | Why Jesus "lost" his trial. by Darrell L. Bock (April 6, 1998)
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