Thankfully, there are better ways to approach our inherited hymnody. Many artists are using their creative gifts to write new tunes or arrangements for rich but forgotten texts of old. Others are writing theologically and spiritually weighty choruses and hymns that complement them.
Those who lead us in worship music could make hymns more accessible by noting the scriptural basis of a song for the congregation, by introducing unfamiliar terms and concepts, and by familiarizing worshipers with the story of a hymn's composer. Rather than trying to rewrite these treasures or, worse, relegating them to the sea of forgetfulness, let us raise high the Ebenezers of old with humility and deep gratitude.
Gary A. Parrett is associate professor of educational ministries and worship at Gordon-Conwell Theological Seminary.
More Christianity Today articles from our Worship page include:
Old Words, Vibrant Faith | Christian pop/rock band Jars of Clay explains why the church needs more Redemption Songs. (Oct 21, 2005)
'Hymn for Easter Day' | Charles Wesley's 'Christ the Lord Is Risen Today' brings alleluia's historical significance to modern audiences. (March 24, 2005)
The Silenced Word | Why aren't evangelicals reading the Bible in worship anymore? (March 20, 2001)
Whatever Happened to God? | One of evangelicalism's most respected theologians says most worship is clubby and convivial rather than adoring and expectant. (Feb. 1, 2001)
The New/Old CCM | Classical Christian music, especially the sacred works of Johann Sebastian Bach, finds a young, and large, audience. (Dec. 18, 2000)
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