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No Country for Old Men
Our Rating
3½ Stars - Good
Average Rating
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Mpaa Rating
R (for strong graphic violence and some language)
Directed By
Ethan Coen, Joel Coen
Run Time
2 hours 2 minutes
Tommy Lee Jones, Javier Bardem, Josh Brolin, Woody Harrelson
Theatre Release
November 21, 2007 by Miramax Films

As Sheriff Ed Tom Bell stares out at the barren Texas landscape, wondering how to catch a crazed killer, we sense that he's losing all hope of bringing any justice to the situation.

But we can feel something deeper disintegrating too. Nostalgic for days when a lawman could make a difference, Bell is losing any hope he has for humankind. He scowls and says, "I always thought when I got older that God would sort of come into my life in some way. He didn't."

You too may find yourself hoping that God will save the day while you watch this riveting adaptation of the bestselling novel No Country for Old Men. You may wait and wait, hoping that justice will be done, that grace will come to these characters.

But those familiar with the author of this story will probably guess that God is not among this cast of characters. Foolish, greedy men. Heartless killers. Doomed innocents. Welcome to the World According to Cormac McCarthy.

McCarthy's stories paint dispiriting pictures, but they're bestsellers nevertheless. His celebrated line of novels includes Blood Meridian, All the Pretty Horses, The Crossing, and the recent Oprah-selection The Road. (Soon we'll see a big-screen version of The Road, directed by John Hillcoat, who brought us another nightmare called The Proposition last year.)

No Country for Old Men, published in 2005, was bound to become a movie. It has elements of classic crime thrillers, film noir, gunslinger shootouts, and thrilling chase sequences. And it features a villain as distinct and malevolent as Hannibal Lecter.

The story—which gets its title from William Butler Yeats' "Sailing to Byzantium"—is a story about a Vietnam vet named Llewellyn Moss who finds $2 million at the scene of a drug deal gone wrong. ...

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