The Blind Side

Inspired by author Michael Lewis' best-selling true story, The Blind Side is not the film you might expect judging solely from the previews and marketing. Bearing the burden of being potentially schmaltzy, the film instead threads an almost impossible needle, pulling off a surprisingly moving and inspirational story of compassion, self-discovery and hope.
Michael Oher (Quinton Aaron) has never slept in a real bed a single night in his life. Over-sized and under-educated, Michael is one of eight children, each of whom was fathered by a different man. His mother, a drug addict, drifts between Nashville streets and ramshackle low income housing projects. It is only a matter of time before Michael is also hopelessly entrapped.

Sandra Bullock as Leigh Anne Tuohy
Fate intervenes when Michael's uncle shows his nephew off to the football coach (Ray McKinnon) of a local, well-heeled, private school. Though untested, the coach sees potential in Michael, if for no other reason than he would be the largest thing on two legs to step foot on the field. The school board is not inclined to give Michael a scholarship; after all, the boy's grades are abysmal. But the coach contends that they have a sacred duty to let Michael in. "Last I checked," he argues, "our sign had the word 'Christian' on it. We either take that seriously or we paint over it."
Be it a self-serving argument or a pure expression of belief, his argument works and soon Michael is admitted, the lone African-American student in a sea of wealthy, white faces. What school administrators do no know is the extent of Michael's poverty—he has only two pairs of clothes, the second set of which he carries around in a plastic grocery bag. He has begun secretly sleeping in the gymnasium, feeding himself on bags of popcorn left over from various sporting events.

Quinton Aaron as Michael Oher, Tim McGraw as Sean Tuohy
Enter Leigh Anne Tuohy (Sandra Bullock), a woman who would surely be a steel magnolia caricature if she weren't based on fact. A no-nonsense personality, when Leigh Anne sets her sights on something, she is an unstoppable force of nature. So it is that when she discovers Michael's predicament, she takes him into her house without a second's hesitation. For Michael, who has known only the street, the Touhys' palatial home—set amongst a neighborhood of white picket fences, white church steeples, and white women jogging with $1000 strollers—is like entering another country complete with a culture shock that he cannot intellectually or emotionally process.
At first the placid, soft-spoken Michael is hard to read. "He's like an onion," Leigh Anne's husband, Sean (Tim McGraw), says. "It takes time to peel back the layers to see what's inside." "Not if you use a knife" is her true-to-form retort. To his credit, Sean never questions his wife's altruism. Nor do her children, vivacious young S.J. (the uproarious Jae Head) or teenaged Collins (Lily Collins). But just as S.J. and Collins are the object of much bewilderment and even scorn at school for their peculiar living arrangements, so too does Leigh Anne face puzzlement from her upper crust social circles, who have made a showy game of contributing to various causes, but have never actually gotten dirt beneath their manicured fingernails a day in their lives.
The Latest in Movie News, May 20, 2013

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MarkRJ
A wonderful movie about a great contemporary American story, told with care and even, yes, love and respect. This is the kind of movie rarely made any more. It should almost be required viewing in our age of political, cultural, racial and religious animosity. It reminds is that humans need to be treated humanely and given a chance. It teaches more than many Sunday School lessons and preaches a stronger message than most sermons. It has affected me more than a movie has in a long, long time.
Courtney
Great film. It takes place in Memphis, btw (not Nashville).
Duran Smith
When I walked out of this film, I was shaking from the joy it planted in me; it also planted in me hope. I truly think that this film deserves a Best Picture nomination this year. I understand what the Academy traditionally looks for, but now that the big category has been enlarged to ten nominations, I will be quite upset if they don't so much as nod at this film. There are so many wonderful things to say about this film. I am speechless. As an aspiring filmmaker, I feel hard-pressed to measure up to "The Blind Side."