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Transcending the Worship Wars

Bryan Chapell urges Christians to move past musical preferences toward Christ-Centered Worship.

Bryan Chapell's book Christ-Centered Preaching: Redeeming the Expository Sermon has equipped thousands of pastors with practical counsel and a theological basis for directing their congregations toward Jesus. Now, the president of Covenant Seminary has exhibited the same attention to history, sensible advice, and the biblical witness in his latest book, Christ-Centered Worship: Letting the Gospel Shape Our Practice (Baker Academic, $24.99, 320 pp.). He was interviewed by CT editor-at-large Collin Hansen.

What is—and is not—Christ-centered worship?

Christ-centered worship is not just talking or singing about Jesus a lot. Christ-centered worship reflects the contours of the gospel. In the individual life of a believer, the gospel progresses through recognition of the greatness and goodness of God, the acknowledgment of our sin and need of grace, assurance of God's forgiveness through Christ, thankful acknowledgment of God's blessing, desire for greater knowledge of him through his Word, grateful obedience in response to his grace, and a life devoted to his purposes with assurance of his blessing.

In the corporate life of the church this same gospel pattern is reflected in worship. Opening moments offer recognition of the greatness and goodness of God that naturally folds into confession, assurance of pardon, thanksgiving, instruction, and a charge to serve God in response to his grace in Christ. This is not a novel idea but, in fact, is the way most churches have organized their worship across the centuries. Only in recent times have we lost sight of these gospel contours and substituted pragmatic preferences for Christ-centered worship. My goal is to re-acquaint the church with the gospel-shape of its worship so that we are united around Christ's purposes rather than arguing about stylistic preferences.

How does liturgy facilitate corporate worship in a Sunday morning service?

Liturgy is simply another term for the order of worship. Every church has a liturgy, although it may vary from being quite simple to very ornate. Understanding the gospel-shape of worship allows us to make Christ-centered choices about how the aspects of each church's liturgy—an opening song, a prayer of confession, or a benediction—are furthering the gospel message in our services. There is no "one right way" to acknowledge the goodness and greatness of God. But knowing that the beginning of the service has this goal allows us to make appropriate liturgical choices about the songs sung, the scriptures read, and/or the prayers offered in the opening phases of a worship service. The same will be true for those aspects of worship that involve confession, assurance, thanksgiving, etc.

What encourages you about contemporary worship trends?

The most enduring and edifying worship is a combination of rootedness and reach. Because every generation is building on the insights God has given previous generations, it is appropriate that we understand and honor the roots of our worship. At the same time, worship should not idolize the past. God has more to teach his people and more people to reach. Each generation should be making its own contribution to worship with commitments to rootedness and reach so that our children honor their forefathers and are able to minister to their children. I am thankful for many of the contemporary worship discussions that seek to fulfill these goals by considering the ancient and future practices of the church. New tunes for old hymns, new words for old tunes, a resurgence of interest in the profound expressions of the early church, and a zeal to understand the communication pattern of the rising generation—all are signs of a new balance and maturity in the worship of the church.


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Comments

Displaying 1–3 of 14 comments

Dixie

September 24, 2009  8:19pm

I just reviewed the link that Dan was kind enough to include in his comments. Thank you. What I learned is worship is narrowly defined by this community; however, it does not translate for other cultures. Would a spirited African worship service fall within the definition of the RCUS notion of restraint? What about some South America worship services- lively, noisy worship? What about those worshiping communities who are not artistically sophisticated (whatever that means)? Are they not worshiping? What is meant by "balance", "unity" - and who is evaluating? To declare something as "Principle" must work in any culture and across time. What is considered aesthetic, secular, balanced, etc., varies with the individual, community, and culture. Let's not confuse spiritual with artistic. The Psalms command us to shout, clap our hands, dance before the Lord. Let us worship!

Dixie

September 24, 2009  7:30pm

In our church, we determined that the musical "style" of worship would be first informed by the kinds of musicians resident in our congregation. Since our church body had only a location to meet on Sunday mornings for the first several years, we obviously didn't use an organ. However, we DID have a pianist, a drummer, bass player, guitarist, trumpeter, cellist, French hornist, flutist, and singers. Our musical style was contemporary initially. However, we didn't stop there. I use the hornist and cellist in most songs. For Christmas and Easter, we pull out the brass music, hire two more players, and have a brass quartet. We also sing a hymn just about every service and use The Hymnal with orchestration for the instruments. Our music style is contemporary but add variety and "color" to our worship experience by using the gifts God's placed in our congregation. We don't replicate the church down the road. We are who we are and offer worship of God with our gifts.

Dan

September 23, 2009  10:28pm

I've been around for a long time, long enough to have seen the beginning of the contemporary christian music fad, and the way it has infected the church. At first I was enthusiastic, but before long I noticed a distinct lack. I heard once that the church sang her theology. I think this is true. And if it is true, what does it say about today's worship music - in general? In my opinion, today's contemporary christian music is nothing more than chewing gum for the soul. For those who are interested in developing a philosophy of church music, the following link is suggestive: http://www.rcus.org/index.php/worship/worship-music/180-principles-music

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