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Shutter Island

Martin Scorsese and Leo DiCaprio reunite for a psychological thriller set in post-war America that examines the darkness within.
 
Shutter Island
our rating
3½ Stars - Good
Average Rating
 
(14 user ratings)ADD YOURSHelp
mpaa rating
R (for disturbing violent content, language and some nudity)
Directed By
Martin Scorsese
Run Time
2 hours 18 minutes
Cast
Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsley
Theatre Release
February 19, 2010

One need not be a Chamber—to be Haunted –
One need not be a House –
The Brain has Corridors—surpassing
Material Place –

Far safer, of a Midnight Meeting
External Ghost
Than its interior Confronting –
That Cooler Host –

Emily Dickinson's words in this poem offer severe insights into the psychological torments within the human mind—"Ourself behind Ourself." It's a theme that has been paramount in literature and art ever since: the depths, mysteries, and hidden horrors not of some external phantom, but of our internal self.

Leonardo DiCaprio as detective Teddy Daniels

Leonardo DiCaprio as detective Teddy Daniels

Martin Scorsese's Shutter Island is a film about the war within. It's a deeply psychological, feverish madhouse of a movie that relentlessly pushes its protagonist to the brink of sanity, and forces us to question our own distinctions between things like heroes/villains, real/unreal, and order/chaos.

Based on the 2003 novel by Dennis Lehane (Mystic River), Shutter follows two fedora-clad U.S. marshals in 1954 New England as they investigate the disappearance of an inmate at a hospital for the criminally insane—a hospital conveniently located on a craggy, mysterious island cut off from the mainland.

Leonardo DiCaprio plays the lead investigator (and the film's focal point), Teddy Daniels, who has his own secrets, demons, and delusions that become more and more evident the longer he stays on Shutter Island. As he and his partner Chuck (Mark Ruffalo) go about uncovering the secrets of the island, they encounter a motley crew of bizarre/creepy/insane characters, including a duo of the hospital's top physicians (Ben Kingsley and Max von Sydow at their malevolent best), lots of disturbingly off-kilter mental patients, and a smattering of guards, orderlies, and hospital administrators. It doesn't take long for things to really get crazy, and for Teddy to realize two things: 1) He has no friends on the island, and 2) No one is going to let him leave.

Mark Ruffalo as Chuck Aule

Mark Ruffalo as Chuck Aule

"Shutter Island" is an appropriate name for the place. It's closed off. Patients are locked in. Once you get there, you don't leave. And so what starts as a simple investigation for Teddy ultimately turns into a desperate attempt to get off the island before he loses his mind—or worse.

With Shutter Island, Scorsese takes a leap into an unfamiliar genre—vintage film noir—though it's not altogether a departure from his larger oeuvre. As a filmmaker, he is first and foremost an interpreter of America. That is, the gritty, violent, darker-than-we-seem nation still trying to reconcile its religious commitment to order and its baser, instinctual urges to dominate and "take what's ours." His films—particularly Mean Streets, Taxi Driver, Raging Bull, Goodfellas, and The Departed—can be seen as statements about unresolved American tensions and anxieties (particularly through the eyes of men), and the noir explorations in Shutter Island fit squarely into this theme.

Film noir has come to be known as one of the most distinct and "wholly American" film styles that grew out of a specific reflection of post-war American culture. The genre developed in the 1940s and 50s and featured expressionistic lighting, urban settings (often wet city streets at night), influence from hard-boiled detective fiction (James Cain, Raymond Chandler), depraved anti-heroes, moral ambiguity, fear of sexuality/women, and a pervasive feeling of dread/fate/alienation. Each of these qualities speaks to the preoccupations and anxiety of post-war America, and each is present in spades in Shutter Island.


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Comments

Displaying 1–3 of 12 comments

Roberta Gittens

July 05, 2010  11:33pm

Our film discussion group "MOVIESWITHMEANING", discusses the spiritual/psychological aspects of particular films. Your excellent review and thought provoking questions will be part of tomorrow evening's agenda for SHUTTER ISLAND. Thank you.

Brad Barros

March 14, 2010  12:14am

Spot on review by McCracken. Paints a multi-colored motif of the film. As for Shutter, an exceptional performance by DiCaprio. Not a near perfect film but... very well done. A solid flick on multiple levels, it doesn't take a lunatic to know that the film and DiCaprio will be nominated for Oscars.

John Stevens

March 13, 2010  10:34am

You obviously are young and have not seen that many films .. This is the movie "Angle Heart" without it the super natural element and that movie was done much better yet I would still classify it as a B rate film. While this film was totally given away by the trailers and there were no surprises because of the predictability of both the writing and the way it was shot .. I found all the performances to be lackluster and chalked it up to all of them knowing the project was actually crap.

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