Connoisseur for Christ: Roberta Green Ahmanson
In 2005, The Guardian ran a sensational article titled, "Anti-Gay Millionaire Bankrolls Caravaggio Spectacular," covering an exhibit sponsored by the Ahmansons at London's National Gallery. The writer repeated many of Blumenthal's charges and likewise failed to communicate Roberta's primary role in the project, not to mention her deep commitment to the arts.
I became familiar with the Ahmanson name not through Time or Salon but at St. James Anglican Church in Newport Beach, where the couple was lauded for investing in the church's legal dispute with the Episcopal Church. Howard and Roberta were members for a dozen years before joining Redeemer Presbyterian Church in Newport Beach, and although Roberta is currently between churches, she describes former St. James rector David Anderson, president and CEO of the American Anglican Council, as her pastor.
Meeting Roberta for the first time last winter, when she was in New York speaking at the International Arts Movement's Encounter conference, I too found her to be a warm and generous conversationalist. Our discussion quickly turned from art and philanthropy, topics she covered in her conference talk, to mutual friends to the bipolar diagnosis that she and a member of my family share.
The interview led to a three-day stay at the Ahmanson guesthouse, where conservative luminaries like Anderson, Olasky, Thomas Oden, and Terry Mattingly had stayed before me. The well-appointed, art-filled home is located around the corner from the main residence and across the street from another that houses their private offices and Roberta's extensive dish collection.
On the weekend of my visit, Howard was driving Roberta's red Range Rover to Hillsdale College in Michigan to collect their son David, who was completing his freshman year after a tutor-led primary education. Roberta stayed behind to host a lecture by Dallas Willard at their home. Afterward, she would meet her family in Michigan to begin a classic cross-country road trip before flying to Rome, where she would speak at a conference on Catholic philosopher Dietrich von Hildebrand's philosophy of love. Next, they would return home and host a week-long celebration of the completion of their elaborate three-year home reconstruction, the subject of The Orange County Register's interest.
To say Ahmanson's passion for art permeates every space she inhabits is to underestimate her commitment. As we toured the main house, her running commentary on its extensive collection rivaled anything an art historian might offer. Although she was fighting a cold during frenzied preparations, she picked me up in Howard's Toyota sedan to tour the Village of Hope, a traditional housing program whose Paley gates, sculpture, and stained glass showcase her artistic vision.
Ahmanson chairs the board of the five-year-old Museum of Biblical Art (MOBIA) in NYC and belongs to the Collectors Committee at the National Gallery of Art in Washington, D.C. She began arranging furniture and pictures when she was a young child and fell in love with painting in eighth grade, but love of art is not what drives her. Her life's primary animating force was found in her strict Regular Baptist upbringing: her desire "to know if there was a God and if it mattered."