The Most Redeeming Films of 2012

The Most Redeeming Films of 2012
Les Miserables is 2012's most redeeming movie, as voted by Christianity Today's film critics. And depending on your perspective, that's either great news—or just grating. Seems that viewers and reviewers either love or hate the movie, based on the stage play of the same name (which was based on the Victor Hugo novel, also of the same name).
At Rotten Tomatoes, it's barely certified "fresh" at 70 percent. A couple more negative reviews, and it would drop below 70, officially moving from "fresh" to "rotten." It's apparently either-or with Les Mis, with little room for "meh" in between. (If you only count RT's "top critics," it's solidly rotten at 58 percent.)
The Dallas Morning News calls it "one of the most gratifying movies I've ever seen." The Los Angeles Times says, "You can walk into the theater as an agnostic, but you may just leave singing with the choir." Richard Roeper says it was "an unforgettable movie going experience, sure to garner multiple Oscar nominations." And CT's critic was grateful "for another chance to experience this moving story, these beautiful portrayals of faith, and these amazing songs."
But then, The Chicago Tribune 's Michael Phillips "didn't like it." The Newark Star-Ledger 's Stephen Whitty moaned that after watching it, "you may be one of the miserable ones, too." Entertainment Weekly 's Lisa Schwarzbaum says the film "made me long for guillotines." The New Yorker 's Anthony Lane snarked, "I screamed a scream as time went by." And Lane's colleague David Denby wrote that he "sat cowering in my seat, lost in shame and chagrin. This movie is not just bad. It's terrible; it's dreadful."
Ouch.
Well, love it or hate it, there's no denying that the story itself is a beautiful one of grace, forgiveness, and redemption—three good reasons it tops our list of the Most Redeeming Films of 2012. Close behind were marvelous films about America's great abolitionist president (Lincoln), a woman who brings joy to a troubled boy (The Kid With a Bike), and a Wes Anderson film about young love, the boy scouts, and one quirky small town (Moonrise Kingdom). See below for the entire list.
Our annual Most Redeeming list (click here for previous years) represents the year's best movies that include stories of redemption. Several feature characters who are redeemers themselves; all have characters who experience redemption to some degree. Some are feel-good flicks; others, less so. Several are rated R and PG-13 and are not intended for young viewers, so please use discretion.
Coming next Tuesday (January 15): Our Critics' Choice list.

1. Les Miserables
directed by Tom Hooper
(Universal) | Rated PG-13

2. Lincoln
directed by Steven Spielberg
(Dreamworks) | Rated PG-13

3. The Kid with a Bike
directed by Jean-Pierre & Luc Dardenne
(IFC Films) | Not rated

4. Moonrise Kingdom
directed by Wes Anderson
(Focus Features) | Rated PG-13

5. Life of Pi
directed by Ang Lee
(20th Century Fox) | Rated PG

6. Undefeated
directed by Daniel Lindsay & T.J. Martin
(Weinstein Co.) | Rated PG-13

7. Argo
directed by Ben Affleck
(Warner Bros.) | Rated R

8. Looper
directed by Rian Johnson
(20th Century Fox) | Rated R

9. Brave
directed by Mark Andrews & Brenda Chapman
(Disney/Pixar) | Rated PG

10. The Avengers
directed by Joss Whedon
(Marvel Studios) | Rated PG-13
Honorable Mention (in alphabetical order)
Blue Like Jazz , October Baby , The Secret World of Arriety , Unconditional , Where Do We Go Now?
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Ronald Steury
Glad to see "The Kid with a Bike" on your list. I hope it will encourage more readers to see it. My wife and I have taken in kids somewhat like the one in this film and the movie had so many things spot on. It left an indelible impression on me, and seemed to impact my 9 year old grandson who saw it with me. But, sadly, you did not include "Monsieur Lazhar" which IMHO was much better than several of the films on your list.
Ronald Steury
Man o' Man, Reg Schofield. Were there any movies in 2012 you liked? Easy to ridicule other peoples choices. Let's see yours? (And if you were "bored" by Lincoln you have no sense of history and greatness.)
David Thigpen
Moonrise Kingdom gets lot of cred from Christianity Today. It is primarily because of the redemption factor at the end of the movie (with a church playing a prominent symbolic role). The problem it is a spiritualistic redemption Hollywood style, not very close to true redemption. That being said, Moonrise Kingdom doesn't just tell the story of two young runaways: It romanticizes them. It condones their actions. It suggests that puppy love between two 12-year-olds is as worthy and weighty as any noble cause, any sacred quest. And it suggests that adults who'd dare think differently are old stick-in-the-muds who can and should be ignored and circumvented. With that kind of message in mind, Moonrise Kingdom isn't so much a sadly sweet fable as it is a parental nightmare—one where barely pubescent children run away together, fumbling with each other's bodies as any and all adult voices of reason are drowned out by the coming storm. (Borrowed some from Pluggedin, which I agreed with).