Note: As with all TV recaps, there may be some mild spoilers below for those who did not watch the episode. If you’re only looking for a content advisory, I’ll tell you: this HBO show, were it a movie, would be rated R for language, violence, sexual content, and thematic material, but it changes from week to week. The first commentary carried a Caveat Spectator, so you can check that out.
It certainly had its faults, but part of what made HBO’s Six Feet Under relatable to so many was that it took the book of Ecclesiastes seriously when it says this:
It is the same for all. There is one fate for the righteous and for the wicked; for the good, for the clean and for the unclean; for the man who offers sacrifice and for the one who does not sacrifice. As the good man is, so is the sinner; as the swearer is, so is the one who is afraid to swear. This is an evil in all that is done under the sun, that there is one fate for all men.
Each episode of the show opened with a death—occasionally of a named character in the show, but usually just some anonymous person. Sometimes it was a bit of macabre comedy; other times it was deeply tragic. But the point was: everyone dies. Good people and bad people. Children and adults. Preachers and prostitutes. Old people and young. At the end of the day, their fate is the same.
For those left in the land of the living after the departures in The Leftovers, the universe seems similarly indiscriminate—no rhyme or reason to who was taken and who was left behind. But that doesn’t keep them from trying to figure it out, and in this episode Nora Durst is looking for reasons and patterns.
Part of this is precisely because the departures defy that Ecclesiastes ...1