Ghostbusters
Image: Columbia Pictures
Leslie Jones, Melissa McCarthy, Kristen Wiig, and Kate McKinnon in 'Ghostbusters'

Your questions, answered.

Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones in 'Ghostbusters'
Image: Columbia Pictures

Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones in 'Ghostbusters'

Is this new Ghostbusters movie funny?

Yes.

How funny?

On a scale ranging from whatever Adam Sandler is subjecting us to these days to the Jump Street series? Depends on what tickles your funny bone. You'll laugh, but sometimes you'll groan. There are good one-liners and gags (I'm partial, for personal reasons, to Melissa McCarthy's ongoing war with the Chinese food delivery guy over the number of wontons in her soup), and others that feel half-baked. But on balance, it's a good time.

Why is there a bunch of women starring instead of men? Is this some kind of man-hating gimmick?

Why is this even a question?

Ghostbusters never succeeded because of its cogent social commentary, thoughtful themes, or innovative plotting. Born of sketch comedy, it's all about the performances. The original Ghostbusters (which is about six months younger than me) featured mostly actors known for their hilarious work on Saturday Night Live. This one does too. Anyone with half a brain watching SNL these days knows the women have far outpaced the men in the cast for a while. Kristen Wiig, Leslie Jones, Melissa McCarthy (who's hosted SNL to great effect), and, above all, the great, zany Kate McKinnon—she of the impeccable comic timing—are some of the funniest performers on the planet. The movie busts the so-called Bechdel test to smithereens without being offputtingly “girls rule, men drool” about it.

Let's take a moment for a tribute to McKinnon. Not only is she channeling Christopher Lloyd's Doc Brown throughout—the glasses, the hair, the whole thing—but her random asides (even the ones that are obviously product placement, like crunching “salty parabolas,” a.k.a. Pringles) make the whole movie. Watching one scene in particular, you can't help but remember her SNL sketches on which she describes alien abduction and after-death experiences. She has been a star for a long time, but Ghostbusters really shows you why; by contrast, McCarthy, Wiig, and Jones are practically the straight (wo)men.

And then, for good measure, there's Chris Hemsworth as the Ghostbusters' dumb, gorgeous, bespectacled secretary, who can't figure out how to answer a phone.

Kate McKinnon in 'Ghostbusters'
Image: Columbia Pictures

Kate McKinnon in 'Ghostbusters'

But will it ruin my childhood?

If this reboot, in a sea of reboots, ruins your childhood, then maybe it's for the best. Next question.

Fine. So it is a reboot, or what?

Kind of. Ghostbusters is a strange bird, when you think about it. It's a true reboot—it exists in a cinematic universe in which the original Ghostbusters movie does not—with its own plot. Wiig, McCarthy, and McKinnon are talented scientists who are trying to prove the existence of the supernatural, and through a series of strange events they wind up teaming up with Jones (who is underused, by the way) to stave off the impending apocalypse—because you can't make a summer blockbuster in which the apocalypse isn't impending.

But the weird thing about Ghostbusters is that the audience sure has seen the original. So it's also full (and perhaps too full) of winking service to the fans, with cameos from the original cast and locations and props and even some of the ghosts, and, to everyone's delight, the theme song. That fan service sometimes hamstrings the movie, which feels like it might be trying too hard to be both original and pay tribute to tradition. It needed a stronger script, and could have been much funnier. But given the pre-release controversy around the movie and the nostalgia it's up against, the result is still satisfying.

October
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