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The guys who created Superman were Jewish, so I don't think they intended him to be a Christ figure, but he seems to have kind of become that over the years?

Singer: I don't think Jesus … Well, I can't get into religious things, but um…

Well, you are talking to Christianity Today?

Singer: Well, yeah, that's true, so I guess it's going to come up! (Laughs) I think that it [Superman as Christ figure] is kind of a natural evolution, because he began as kind of a Moses figure, of the child sent by the parents down the river to fulfill a destiny.

Kind of as a liberator in response to Hitler and the Nazis?

Singer: Yes. The Second World War presented an interesting dilemma for the Superman creators, because he was a very much an inspirational figure for the troops—and yet even though he was so powerful, he did not simply go clean up the Nazi menace and solve all the problems in Europe. He helped out, but he primarily led by example. He stirred others; he inspired. He left the actual heroism to the real heroes, to the soldiers in the field and abroad, and in that way, he became this very inspiring figure.

Superman has always been a savior

And that, obviously, translates into these kinds of allegories, Christ being a natural one, because Superman's a savior. And even more so in my film, because he's gone for a period of time, and then he returns. For me to say that those messianic images don't exist in the movie would be absurd.

The 1978 film seemed to push the messianic imagery, especially with the Jor-El quote about sending "my only son."

Singer: "They can be a great people Kal-El. They wish to be. They only lack the light to show the way." It's very powerful and very meaningful, that monologue and the other moment in the film where Kal-El's mother says, "He will be isolated alone," and Jor-El takes the crystal and places it into the ship and says, "He will not be alone. He will never be alone." Those two scenes resonated the strongest with me in the making of this movie, which is why I ultimately used Marlon Brando's voice and image.

As a Jewish guy, have you embraced this Christology/mythology, or do you see it as more than that, or what?

Singer: I grew up as a relatively secular Jewish kid in a Catholic neighborhood. I went to a Christian youth club as a kid, 'cause I liked the sports.

Mr. Ecumenical, huh?

Singer: It was very peculiar! And I had a Hindi friend, so I had some measure of exposure to multiple faiths. I have an aunt who's a born-again Christian; I wonder what kind of impression the film will make on her. I think it'll be obvious to her.

Singer on set with Brandon Routh, who plays Clark Kent/Superman

But when you grow up in a Judeo-Christian culture, these things find their way into your subconscious and your storytelling. So some of the imagery is, I think, unintentional, and some of it is very thought-out and celebratory. If I try to say, "Oh, I didn't know about that imagery," I'd sound like a fool—or like I was just being insincere.

In an action adventure film, if you don't care about the people that the action adventure is happening to, then the action adventure doesn't work as well. It's not as thrilling and meaningful. So, by calling upon certain romantic feelings, by calling upon certain spiritual feelings, by calling upon those thoughts and ideas and manifesting them in this kind of movie, it allows the audience to have a multiple of experiences besides just fireworks. For me, that's a very important part of the movie.

Obviously this was a very personal and emotional project for you. Was it also a spiritual experience in any way?

Singer: Uh, I think I have a spirituality that I keep very much to myself. I don't talk about it much, because I'm a filmmaker, I'm not a preacher (laughter)! I think spirituality exists in the movie, but I have my own [spirituality]. I pray in my own way, I guess you'd say.

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