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The Chronicles of Riddick Our rating: Rate this movie   MPAA rating: PG-13 (for intense sequences of violent action and some language) Theater release: June 11, 2004 by Universal Pictures Directed by: David Twohy Runtime: 1 hour 59 minutes Cast: Vin Diesel (Riddick), Judi Dench (Aereon), Thandie Newton (Dame Vaako), Alexa Davalos (Kyra), Colm Feore (Lord Marshal) Related: Talk About It/Family Corner

Halfway through The Chronicles of Riddick, the title character (Vin Diesel) leads a ragtag group of convicts across the surface of the planet Crematoria where the daylight temperature is 700 degrees. (Get it? Crematoria!)

As they make their dash, sunrise hits (which seems to happen about every seven minutes on Crematoria). Sunlight rolls across the planet and nips at the group's heels as they run. It's an impressive sight. However, the suspense is deadened because, it turns out, the heroes can avoid the 700-degree heat by ducking in the shade. In fact, when a character is trapped in the sunlight on a cliffside, all Riddick has to do is swing down on a rope and pull her under a rocky outcropping. In the safety of the shade, the hero poses as smoke rises from his shirt. All you can think—besides sunscreen jokes—is: Wow, isn't Riddick cool?

Ol Blue Eyes is back … well, sort of

The race against the sun typifies this sci-fi actioner: it's big, pretty to look at, and doesn't make much sense. But it also proves the major selling point of both The Chronicles of Riddick and its predecessor, Pitch Black. When the original space thriller was released in 2000, the general consensus was: "Eh. Average action film, but wow, isn't Riddick cool?" Obviously, writer and director David Twohy and producer Diesel thought the same thing. In this first of three planned sequels—especially in one key scene—you realize they want to turn Riddick into a Conan the Barbarian hero: epic and larger than life with grand mythos and a destiny.

As the movie begins, the murderous convict Riddick has been hiding from bounty hunters since surviving the events of Pitch Black. But the law isn't the only group that wants him. He is also in demand because he could be the man prophesized to stop the deadly Necromongers.

Whoa … it's sorta reminiscent of The Matrix

Chronicles owes a tremendous debt to The Matrix. It includes prophecy, a chosen one, a reluctant anti-hero, and more. In fact, instead of an oracle, it has an "elemental" (which the movie explains doesn't tell the future but just calculates the odds of it) and instead of a super-fast unbeatable Agent Smith, it has a super-fast unbeatable Lord Marshal. Most of the time, Chronicles feels like a film student's attempt to make his own Matrix. The only differences come from things Twohy pulls from sci-fi staples like Star Wars, Dune, and Flash Gordon.

The $120-million budget makes the film stand above Pitch Black in special effects and landscapes. The action is constant but rarely ground-breaking. In fact, in one major battle, the action is so passive it feels like a music video. All in all, this is a slightly above-average action flick with a solid ending that alone makes another sequel—and what Riddick could do in it—intriguing.

But as Twohy and Diesel know, their bread and butter is Riddick himself. He really is the classic bigger-than-life hero you can't take your eyes of off. But, in the lead role now, he does get old after a while. Even Vin Diesel can bark only so many badly written one-liners before it gets tiring.

The stately Judi Dench plays Aereon

But Riddick is intriguing not just because of his toughness and Schwarzenegger presence. He is also a study in reluctant anti-heroes. He's a killer. But there's also a caring side and a sense of mystery that draws you in. After two movies, it is still hard to peg down exactly what makes this guy tick. The movies tease you to think that Riddick may be guiltily wrestling with who he is. But is he? In the first film, he says he believes in God but hates him because of the tough life he's had. And then, after learning a lesson in personal sacrifice, he tells a character that the old Riddick is now dead: "He died somewhere on that planet."

But in the sequel, the character doesn't go much deeper than that. It's hard to tell which Riddick he is here, the old one who "died on that planet" or a new reformed one. There just isn't much character development and no substantial discussion of Riddick's beliefs or convictions.

The (almost) unbeatable Lord Marshal (Colm Feore)

Therefore, all of Chronicles' religious content pretty much belongs to the Necromongers. Opening narration describes them as a religion making a dark pilgrimage to their promised land. On their way, they destroy planets one-by-one to increase their numbers by conversion. In truth, the massive army seems to more resemble Star Wars' evil Empire or Star Trek's Borg than a religion. The Necromongers rule with fear and they seemingly brainwash their victims in a forced conversion.

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