Man on Firereview by Jeffrey Overstreet |
posted 4/23/2004
4 of 4

Loren Eaton (Plugged In) says viewers need to notice both sides of this film. "Scott has created a quite literally thrilling thriller … [and] infused Man on Fire with heart. It extols familial love and undying loyalty. It treats the Bible with respect. And it maintains that even the most hopeless people can find healing." But is it biblical? Not so much, since it "buys into the idea that just restitution can be had through violent vigilantism."
Kevin Miller (Hollywood Jesus) shares his personal response to Creasy's revenge quest. "I know I felt more than a little gratified when Creasy vowed to kill whoever was responsible. … However, as I observed Creasy's transformation from sensitive loner to hardened killer, I began to wonder what made him different from the people he was hunting. It made me wonder how often we try to justify our own actions like this—both as individuals and as a nation. If our motives are right, does that mean we can use any means necessary to achieve our ends?"
Melinda Ledman (Hollywood Jesus) sees Creasy as a Christ figure in many ways, but she is also unsure of the film's portrayal of violence. "Vengeance seems acceptable given the circumstances, but it doesn't quite balance the fact that Creasy mercilessly kills people even after they cooperate."
Not everyone thinks the bad outweighs the good in this film. "Despite the horrific violence … the movie also offers a story about sacrificial, Christ-like love," writes Annabelle Robertson (Crosswalk). "The quality of this film is top-notch, with excellent acting, a fast-paced plot and haunting cinematography that relies on deep grays and blues to convey the sordidness of the story. The violence, however, is shocking, and not to be discounted." She describes the film's conclusion as "beautifully, though tragically, redemptive."
Carole McDonnell (The Film Forum) is still thinking through the issues presented by the film. "This is the first time in recent memory that I've seen a movie in which revenge and redemption are so closely linked. I'm still trying to see how this revenge/redemption business fits in with my moral compass. I only wish this very good flick didn't quite imply that like the proverbial cake, we could have our angry hatred and still have salvation too."
from Film Forum, 05/06/04
Steven D. Greydanus (Decent Films) says, "Man on Fire is an out-and-out apologia for the necessity of duct-taping a bad guy's hands to a steering wheel sometimes and lopping off fingers before shooting him in the head, or shoving a crude explosive device into a body cavity of another thug and taunting him with the threat of detonating it before finally going ahead and doing so. Scott's direction is always pointlessly hyperactive, but here he supplements his usual shortcomings with random use of subtitles and captions as design elements. In the end, though, what sinks the picture is that it asks us to sanction Creasy's brutality."
Related Elsewhere:
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