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"Visually, Madagascar is a delight," writes David DiCerto (Catholic News Service). But he says the beginning is stronger than what follows. "Once the action switches to the island setting, the film's sharp wit gives way to a slapstick brand of broad cartoon comedy which, though quite funny at times, is more sight gags than story."

Annabelle Robertson (Crosswalk) says the film's message is "buried and weak," and tries to explain it: "Madagascar seems to be saying that we should be happy wherever we are in life, and that we should recognize the importance of loyalty and friendship. In a nod to animal activists, it also points to the beastly nature of animals, and how we can only tame that nature so much." She expects it will "please families and children alike."

Tom Neven (Plugged In) says, "This animated feature lampoons stories that sentimentalize the wild kingdom. Still, you leave the theater wondering what result you were supposed to root for—that the animals make it back to their safe zoo existence or learn to live 'authentically' as wild animals." The screenplay, he observes, seems to have been "written by a committee." But he's happy to see "the power of friendship and self-sacrifice" exalted.

Michael Elliott (Movie Parables) says, "The computer animated artwork is sharp and clean. The characters are distinct and the humor is somewhat clever. So what's the problem?" He blames the cast and "bland vocal performances." He adds, "The film explores an unusually deep subject, albeit in a superficial way."

Mainstream critics offer many varying responses, most of them positive. Kenneth Turan (Los Angeles Times) calls the film "a classical gas" and notes that it "benefits from not having any heavy moral to impart or life lesson to teach. It simply wants you to crack a smile, and … it has no trouble managing that."

Andrew Coffin (World) says, "The movie falls into the category of the 'mostly harmless'—diverting entertainment for kids that is unlikely to inspire them or infuriate their parents."

© Camerin Courtney 2005, subject to licensing agreement with Christianity Today International. All rights reserved. Click for reprint information.

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