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Adam R. Holz (Plugged In) writes, "Genesis references notwithstanding, The Fountain is a syncretistic mishmash that never addresses core biblical teaching about humanity's sin and our need for a Savior." He concludes that "violent imagery, harsh profanity and a sexually suggestive scene may well render The Fountain's confusing spiritual and philosophical meandering moot."

Greg Wright (Past the Popcorn) says that viewers might find it "baffling, pompous, and preposterous," or they might find it "stunning and spellbinding." Nevertheless, he was mightily impressed. "Ultimately, The Fountain analyzes our perceptions of death, and our perceptions of life. … [It's] a brilliantly conceived and executed artistic vision."

"Is The Fountain a movie worth the time and effort that Aronofsky put into it? Absolutely," raves Matt Wiggins (Relevant). "This isn't a movie that everyone will love, however. It requires engagement and patience by the viewer. … For those prepared for a brilliantly profound mixture of story and visual, The Fountain will undoubtedly be the best film of 2006."

David DiCerto (Catholic News Service) says the film is "poignant and confusing, but the visuals are striking and the unifying themes of love and mortality provide for some thoughtful reflection on the way death helps delineate our humanity and give our lives meaning."

Mainstream critics are divided, some thrilled and inspired, others shaking their heads in bewilderment.

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