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All About Steve Our rating: Your rating:   MPAA rating: PG-13 (for sexual content including innuendos) Genre: Comedy Theater release: September 04, 2009 by 20th Century Fox Directed by: Phil Traill Runtime: 1 hour 38 minutes Cast: Bradley Cooper (Steve), Sandra Bullock (Mary Horowitz), Thomas Hayden Church (Hartman Hughes), Ken Jeong (Angus) Related: Talk About It/Family Corner

You expect certain things from a Sandra Bullock comedy, and if that's what you're looking for, All About Steve will not disappoint. She's perky and quirky, slim and lovely, and a very good sport about looking unglamorous (here she survives both a tornado and a fall into an abandoned mine). You'll be unsurprised to learn that romantic complications arise, followed by a happy ending. So if you enjoyed The Proposal or Two Weeks Notice, you'll get a kick out of this.

Now that I think about it, though, there actually is a surprise. Though the ending is a happy one, it's not conventional, and not the one I was expecting. In fact, there are elements in this film that were original and pleasing. Why, then, is the overall impression so bland?

Sandra Bullock as Mary, Bradley Cooper as Steve

To start at the beginning, Mary Horowitz (Bullock) is a cruciverbalist, a crossword-puzzle writer, and she supplies a weekly puzzle for the Sacramento Herald. In an opening montage we see her composing a puzzle with her favorite blue felt-tipped pen, and then follow her as she walks through the city, tickled to see citizens everywhere working out her clues. At the paper's offices she does her over-eager best to convince her editor that they should let her supply a daily puzzle.

We're picking up that there is something odd about Mary. She's a fountain of knowledge, and maintains a constant stream of cheery, free-associating comments, oblivious to the discomfort of her hearers. (Even those who can't hear her get worn down; a deaf girl, later in the film, signs, "I don't know what you're saying, but you talk too much.") She seems to have no idea of what is appropriate to say or do; she could be an ambassador for Oddballs Without Boundaries. Bullock has given the character a perfect set of physical traits and expressions. She walks like a child who's been admonished to walk, not run, and at any moment seems likely to go bounding away like a spring lamb. Her obsession with trivia and her beloved vocation seems off-kilter as well. "Be normal," her editor pleads: go out on a date, have some fun. Mary protests: "Crosswording is the most spectacular fun a person can have. Without passing out."

But that evening she does go out on a date, and that's when the trouble begins. Her mom has arranged a blind date with a friend's son, and Steve (Bradley Cooper)—a roving cameraman for the news network CCN—turns out to be an attractive guy. As soon as they are in his car she hurls herself at him, and during their brief grappling he says, "It's lonely on the road. I wish you were there with me." But at that moment his cell phone rings, and he's ordered to leave immediately for a breaking story in Tucson. As Mary departs, Steve murmurs, "Thank God. See you later, crazy person."

Hartman (Thomas Haden Church), Steve, and Angus (Ken Jeong)

That's the setup, and the remainder of the story follows Mary as she trails Steve from one news scene to another, under the mistaken impression that they are a couple. She is serenely intransigent on the subject. "I'm a guy. Guys say things like that. I didn't mean it," Steve tells her. "Then how do I know that you mean what you're saying now?" she responds with a confident smile.

The weak spot in the story is precisely this relationship between Mary and Steve. Cooper may be a fine actor, but he's a misfit for this role. The character is made of cardboard to begin with, and when Steve exhibits distinctive personality traits, they feel inorganic and don't make sense.  (Steve would not be stupid enough to think he could escape Mary by wearing a false moustache and wig, while still driving the CCN van.) On the other hand, the star reporter in the news team, Hartman Hughes—played by Thomas Hayden Church—is terrific. Church improves a conventional dumb-TV-reporter character with an ox-like, sluggish delivery that is effectively hilarious. When Steve throws a snack bag out the van's window, Hartman tells him, "Give a hoot. Don't pollute." It's not a funny line, except that Church speaks it the way an especially earnest Neanderthal might have. Any time Church is onscreen he steals the show, which is a perk for the audience but doesn't help the unity of the story.

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