Tweet

Comments (7)

 1 of 3

Coraline Our rating: Your rating: 1 2 3 4 Your Comments: see all MPAA rating: PG (for thematic elements, scary images, some language and suggestive humor) Genre: Animated, Family, Fantasy Theater release: February 06, 2009 by Focus Features Directed by: Henry Selick Runtime: 1 hour 41 minutes Cast: Dakota Fanning (Coraline), Terry Hatcher (Mother/Other Mother), John Hodgman (Father), Jennifer Saunders (Miss Spink), Dawn French (Miss Forcible), Ian McShane (Mr. Bobinsky), Robert Bailey, Jr. (Wybie Lovat), Keith David (Cat) Related: Talk About It/Family Corner

Coraline, a horror film made for children, has some pretty heady stuff for adults too. When the best-selling book debuted in 2002, The New York Times dubbed it "one of the most truly frightening books ever written."

Director Henry Selick, who also helmed The Nightmare Before Christmas and James and the Giant Peach, wasn't afraid to transport the very things that made author Neil Gaiman's novella so intoxicatingly unique—a curious mix of dank morbidity and gossamer whimsy—into his big-screen adaptation via brilliant stop-motion 3-D animation.

Gaiman and Selick's work has more in common with Lewis Carroll and Maurice Sendak than with E.B. White or Beatrix Potter. Their world is like a parallel universe in which everything is familiar even as it is perverted by an eerie and, admittedly delicious, sense of the macabre. There is no denying that Coraline transports the viewer utterly and completely to another world, one full of petrifying monsters, incandescent beauty and inestimable bravery.

Coraline (voiced by Dakota Fanning) is a precocious young girl who fancies herself an explorer. It's a good thing, too. She and her parents (Terry Hatcher and John Hodgman) have just moved into a new flat in an old house, and days of ceaseless Oregon rain has kept her pent up inside. Bored and feeling neglected by her busy parents, Coraline decides to explore her surroundings. Tucked into a corner of her living room, she discovers a small door plastered over with wallpaper. On the other side of the door is a long, luminescent tunnel, a heaving iridescent birth canal stretching out toward the horizon. While most kids would turn right back around, Coraline's curiosity gets the better of her.

Coraline (voiced by Dakota Fanning) travels between worlds

At the other end of the tunnel is a room almost identical to the one she just left, only different. It is cleaner, warmer and better furnished. In fact, on the other side of the tunnel lies a perfect mirror image of her family's entire apartment. There she meets her "Other Mother" and "Other Father," who look just like her real parents—except that they have shiny black buttons where their eyes are supposed to be. Coraline is understandably disturbed by this at first, but it isn't long until she is completely overwhelmed by the hospitality shown her.

Coraline's "other" parents lavish her with attention, fill her belly with splendid food (her real mother never cooks), and let her play to her heart's content. Coraline is always the center of attention. Her every whim is catered to. These "other" parents invite her to stay in this idyllic world with them forever. There's just one catch: She'll need to replace her eyes with buttons.

Frightened, Coraline flees, only to discover her real parents have been kidnapped by her "Other Mother," who demands Coraline return to her forever. The young girl realizes that her only hope of saving her parents is to confront the "Other Mother," who has now taken on her true, monstrous shape. Mustering all her resourcefulness and courage, Coraline decides to risk both body and soul to save those she loves.

Other Father (John Hodgman) is quite 'handy'

Gaiman—who recently won the 2009 Newbery Medal, the Pulitzer of children's literature—has become the storytelling virtuoso of our age. An author, graphic novelist, screenwriter and poet, Gaiman's deliciously skewed mind has fired the imaginations and sent shivers down the spines of many a child. His are not the bogus scares of juvenile literature, but an authentic, Poe-esque foreboding. Director Selick has imported that sensation bit by mouth-watering bit. Every noun and every verb of Gaiman's book finds itself transformed into the medium of cinema, reborn as projected particles of light in an appropriately dark theater.

Coraline looks as good as it sounds. Selick has taken advantage of evolutionary leaps forward in 3-D technology and applied them to his traditional stop-motion animation. The result is the first ever high-definition stereoscopic 3-D movie. Everything in the film was handmade—every character, every structure, every expression, every tree and every leaf—and then painstakingly aligned frame by frame. To watch Coraline in 3-D is to be absorbed in a tactile world as shockingly superior to what preceded it as when a black-and-white Dorothy climbed off her demolished front porch and first looked upon the radiant color of Oz. This is a rich, intricate world of microscopic detail, nothing short of complete, immersive enchantment.

next page... |  1 of 3 | last page

Displaying 1–3 of 7 comments

See all comments