Oh My GodStylish but shallow film attempts but fails to deal with the age-old question: What is God?Review by Alissa Wilkinson | posted 11/12/2009 03:50PM

1 of 2

|
Oh My God
Our rating:
Your rating:
Your Comments: see all
MPAA rating: Not Rated
Genre: Documentary
Theater release: November 13, 2009 by Mitropoulos Films
Directed by: Peter Rodger
Runtime: 1 hour 38 minutes
Cast: Hugh Jackman, Seal, Ringo Starr, Sir Bob Geldof, Princess Michael of Kent, David Copperfield, Jack Thompson
Related:
Talk About It/Family Corner
|

Not everyone sees God the same way. Director Peter Rodger, tired of various people claiming their God is the greatest—and then using that belief as a basis for violence, terrorism, and war—decided to travel around the world and ask people what they thought God is. And, he says, "As a person who wrestles with faith, I needed to determine whether God created man or man created God."
The result is Oh My God, a flashy but insubstantial whirlwind trip around the globe. The film is rendered even more disappointing because of its potential. After all, there is no more interesting or defining question to ask of a person than what they think of God. Even the agnostic somehow has an opinion. God has been a hot topic since the dawn of humankind.
To his credit, Rodgers mostly manages to avoid demonizing or ridiculing his subjects. (Some of them seem pretty crazy, but he doesn't provoke them into it.) He starts out with what seems like a genuinely open heart and inquisitive mind, which is just what a documentarian needs.

Director Peter Rodger
However, through wearying series of interviews and strings of rhetorical questions voiced over pulsing music and heady vistas, the issue becomes more muddied, not more clear. It's patently ridiculous to think anyone can settle the question of God in a 98-minute film, of course, and I'm sure Rodger didn't expect to settle it once and for all, but his bias against the possibility of any religion (with the possible exception of Buddhism) having a valid handle on what God is becomes more and more clear. To Rodger, religion—in any form—is an obstruction to knowing God, and couldn't be a help along the way.
Fair enough. Even many Christians say that they are about relationship, not religion. One of the truest statements in the film comes from Ringo Starr (of all people), who says that "God is love." What he means by "God" and "love" is probably a bit different from what John meant in his first epistle, but he's on the right track.
If a muddled view of God were the film's only drawback, it might be forgiven. An intelligent, compassionate inquiry into the various ways that people have seen God and the manifestations that takes is interesting anthropologically and sociologically, but also important for the thinking Christian, who ought to understand what others believe. A documentary with some depth would be an excellent way to hear people's views from their own lips.

Hugh Jackman shares his views on God
But that's not this film. Instead, we're following Rodger around as he has a kind of existential crisis (which he in fact does in the middle of the film). It lacks any arc beyond its loose inquiry, so it plays more like a music video than a documentary. The experience is dizzying, as we hop from continent to continent, occasionally sitting down with somewhat random celebrities—illusionist David Copperfield, musician Seal, Hugh Jackman, Ringo Starr. The only evangelicals they seem to have been able to dig up are a pastor in Africa who the nationals seem not to like very much, Dr. Tim LaHaye, and possibly the most stereotypical "everyman" possible: a gun shop owner in Texas. (The most evangelical-sounding interviewee is an American Catholic seminarian studying in Rome, who whips out a guitar in the square and leads the tourists in a chorus that calls on the Holy Spirit to fall and fill their hearts with fire.)
The voices who are probably most interesting in this conversation (various imams, for instance, or a pair of peacekeeping religious leaders on the Gaza strip) simply aren't on screen nearly enough. Frankly, I don't care too much about what Baz Luhrmann (writer/director of such films as Australia and Moulin Rouge) thinks God is.

Young monks in school at the Hemis Monastery in North India
The film's gorgeous locations and breathtaking vistas aren't enough to rescue it from its wearying faux seriousness. For a film that's not supposed to be about religion, Oh My God spends an awful lot of time talking about religion, but not at all knowledgeably. I'd wager that your average moviegoer really doesn't know how the views of God differ from Islam to Christianity to Judaism, yet no baseline is established, leaving the viewer with only the vague sense that religions are just oppressive systems of belief based around similar views of the same God, and that Mohammed and Jesus are roughly equivalent figures in their respective religions.