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Sherlock Holmes Our rating: Your rating: 1 2 3 4 Your Comments: see all MPAA rating: PG-13 (for intense sequences of violence and action, some startling images and a scene of suggestive material) Genre: Adventure, Mystery Theater release: December 25, 2009 by Warner Brothers Pictures Directed by: Guy Ritchie Runtime: 2 hours 8 minutes Cast: Robert Downey Jr. (Sherlock Holmes), Jude Law (Dr. John Watson), Rachel McAdams (Irene Adler), Mark Strong (Lord Blackwood), Eddie Marsan (Inspector Lestrade), Kelly Reilly (Mary Marstan), James Fox (Sir Thomas), Geraldine James (Mrs. Hudson) Related: Talk About It/Family Corner

This is definitely not your father's version of Sherlock Holmes … or your grandfather's, for that matter.

The intensity and action of the opening ten minutes make that perfectly clear. Gone are Holmes' deerstalker hat and the stoic, reserved demeanor. Instead, we see the world's most famous detective racing through the dark streets in comparatively disheveled attire before engaging in some serious brawling action to apprehend the murderous occultist Lord Blackwood.

Would it surprise you to learn that this new Sherlock Holmes is just as true to the original stories by Sir Arthur Conan Doyle as any Basil Rathbone version, if not more so?

Holmes could be viewed as the late 19th century equivalent of a comic book superhero. His legendary deductive reasoning, his superb scientific skills, his gift for disguise, and his experience in martial arts and bare-knuckled street-fighting are all part of this status—and they're straight from Doyle's writings and all are faithfully depicted here. It's the energy behind the storytelling that's changed.

Robert Downey Jr. as Sherlock Holmes

During the film, I thought that Holmes shares much in common with Batman—they even both have utility belts. And if the Dark Knight can survive different interpretations over his 70 years of comic book history, then why not a slightly different but still faithful take on Holmes after 120 years?

As for Robert Downey Jr.'s look as Holmes, Doyle describes him as "eccentric" and "bohemian"—both perfectly describe this new portrayal. In one scene, Holmes seems to use a hallucinatory drug to gain insight into his enemy's plan—also consistent with Doyle's depiction.

Watson here also differs from his traditional Hollywood portrayal. Doyle's stories never depicted him as the portly, befuddled sidekick; he's originally described as a veteran of the Afghan war, thin, strong, and packing a revolver. Yes, he's a foil to Holmes' intellect, but more as an intelligent everyman for the detective to play off, not merely for comic relief. (Interestingly, their relationship closely resembles that of House and Wilson on TV's House, and of course, the medical mystery program was originally modeled on Holmes and Watson.)

Other familiar details are still present here: the flat at No. 221b Baker Street, landlady Mrs. Hudson, Watson's soon-to-be wife Mary Marstan, Inspector Lestrade of the Scotland Yard, and even Irene Adler, the beautiful and mysterious woman who bested Holmes and stole his heart in one classic short story. Really, the only significant unfamiliar character in this movie is the aforementioned Lord Blackwood, ironic considering how quickly the movie dives into the story, as if Holmes has a long history with his nemesis.

Jude Law as Dr. John Watson

Nevertheless, Blackwood is caught and sentenced to death, but before his execution, the satanic serial killer foretells of his resurrection to Holmes and promises more murders. Blackwood is hanged and Watson confirms his death, yet sure enough, days later, Blackwood's tomb is open, his body is gone, and suspects connected to him begin die. Can Holmes explain the resurrection, or is there really something supernatural at work? And is it all somehow connected to the mysterious reappearance of Irene Adler in London?

Contrary to the trailers' depiction, Holmes is not all action. There is indeed a mystery at the heart of it—a good one, not a great one—involving Blackwood's obsession with the dark arts and a shadowy conspiracy. There's also plenty of British humor—some dry, some silly—along with some scenes of heart in the bond between Holmes and Watson, their friendship seemingly threatened by the intrusion of Watson's fiancée Mary.

The film's greatest strength is Downey's performance. His natural charm and charisma is perfectly matched here in a role that demands intelligence, physicality, and a measure of quirkiness. Some of Downey's mannerisms and facial expressions are a hoot, but rest assured, he inhabits this role perfectly.

Director Guy Ritchie and the screenwriters also deserve credit, most notably for how they've visualized the detective's thinking. Though overplayed, it's cool to see Holmes "flash-forward" his punches in a brawl, much like a chess player anticipates his upcoming moves. There are also scenes where the camera darts about the room, showing us the details that Holmes notices. Sometimes we keep up, but more often we're behind, as it should be—after all, we should never be a step ahead of Holmes, right? Similarly, there's a fun bit that demonstrates how Holmes quickly improvises a disguise to gain information.

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