Jonah HexOverly violent and unaccomplished on all fronts, this disaster may end up being one of the worst films of the year.David Roark | posted 6/18/2010 08:35AM

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Jonah Hex
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MPAA rating: PG-13 (for intense sequences of violence and action, disturbing images and sexual content)

Genre: Action, Western
Theater release: June 18, 2010 by Warner Bros.
Directed by: Jimmy Hayward
Runtime: 1 hour 20 minutes
Cast: Josh Brolin (Jonah Hex), John Malkovich (Quentin Turnbull), Megan Fox (Lilah), Michael Fassbender (Burke), Michael Shannon (Doctor Cross Williams), Will Arnett (Lieutenant Grass)
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"Revenge gets ugly." That's the tagline for director Jimmy Hayward's new blockbuster disaster, Jonah Hex, which is based on a 1970s comic book series. The titular antihero, whose face is horribly scarred, is the only the first of many ugly things about the movie. There's also the disgusting snake man, and then the really hideous stuff, like Megan Fox's acting, the absence of narrative, the exploitation of violence, an overabundance of loud and fast action sequences, and, ultimately, the glorification of vengeance.
Jonah Hex doesn't have much of a story. Through a mildly creative opener and distracting flashbacks, we get a vague understanding of the backstory. The rest of the film is made up of a mindless, frenetic, and banal revenge plot—mainly of the title character trying to hunt down the man who killed his family.
The protagonist, Jonah Hex (Josh Brolin), is a disgruntled Civil War veteran who fought for the South not because he agreed with the army's ideologies, such as slavery, but because he opposed the American government. A skilled and fearless gunslinger, he quickly became a war hero, notorious for taking down hundreds of enemies all by his lonesome. But when his commanding officer, Quentin Turnbull (John Malkovich), grew heartless and started murdering innocent people—women and children—Hex had had enough.

Josh Brolin as Jonah Hex
When Turnbull's son Jed dies, he blames Hex, who winds up in the hands of Turnbull and his men, including Burke (Michael Fassbender), a psychopathic Irishman with a bowler hat and tattoos. The stone cold soldiers murder Hex's wife and son right before his eyes and mutilate the right side of Hex's face with a branding iron so that, according to Turnbull, he'll never forget that day.
And he doesn't. After nearly dying—he's saved by Crow Indians whose mystical healing powers give Jonah some sort of semi-supernatural powers—Hex becomes a bounty hunter, pledging vengeance on Turnbull.
While sleeping with a gun-wielding prostitute, Lilah (a half-naked Megan Fox), Hex is greeted by a knock on the door from Union soldiers, who—in a personal message from the President—inform him that Turnbull is building a super weapon that will allow him to destroy and take over the world. Predictably, Hex jumps at the chance to avenge his family's deaths—leaving the gun-totin' Lilah behind. (She shows up again later, but plays a relatively small role in the movie.)

Jonah doesn't like this brand of conflict
The rest of film is merely the scarred cowboy trying to execute vengeance, taking the form of ridiculous, shoddy action scenes that start off mildly impressive but become obnoxious as minutes pass—i.e., Hex dropping bad guys with machine guns mounted on his horse. In the spirit of Michael Bay, the final 20 minutes are one gigantic action sequence full of implausible stunts and explosions and a predictable finale, all while annoying heavy metal music blares in the background. Hayward and cinematographer Mitchell Amundsen, who also shot Transformers and G.I. Joe, make artless clatter worse than the smoke and mirrors in those movies.
This turmoil, moreover, results in a misuse of violence through the senseless murder of innocent lives. Sure, it's comic book violence and it's supposed to be satirical, but it's too much. Turnbull's character apparently has no goodness in him, and in trying to develop such wickedness, writers Mark Neveldine and Brian Taylor leave us with a monster who slaughters the innocent and eradicates entire cities, over and over again. Hex, the alleged hero, isn't much better; in a bar scene, he murders a stranger for just asking about his scar.

Megan Fox as Lilah
Using his unusual powers, Hex awakens Jed from death; Jed sums things up by saying he can no longer distinguish between Hex and his father because they are both demented and ruthless. It's the truth—two evils pitted against one another. Hex goes down as the good guy, though, for what isn't even fallaciously shrouded as justice. Unlike other films that mistake revenge for justice, this one doesn't even try to hide its depraved message. The tagline speaks for itself and tells a lie, which says the hero's burden will be appeased if he kills the antagonist.