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The Secret of Kells Our rating: Your rating: 1 2 3 4 Your Comments: see all MPAA rating: Not Rated (Not Rated) Genre: Fantasy Theater release: March 12, 2010 by GKIDS Directed by: Tomm Moore and Nora Twomey (co-director) Runtime: 1 hour 15 minutes Cast: Voices: Evan McGuire (Brendan), Brendan Gleeson (Abbot Cellach), Mick Lally (Brother Aidan), Christen Mooney (Aisling). Related: Talk About It/Family Corner

I love that Brother Aidan's cat in The Secret of Kells is called Pangur Bán. In the eighth or ninth century, an unknown Irish monk, in a playful respite from his normal work, penned in the margins of a Latin New Testament manuscript an affectionate ode to the mouse-catching prowess of his white cat. That monk would surely be astounded to find Pangur Bán again commemorated in pen and ink over a millennium later, romping across backgrounds that look at times like the decorative work of the monks themselves, brought to cinematic life.

Ornate scrollwork, endless knots, spirals, plaits, circles, arches, panels, and decorative borders dance and frolic throughout The Secret of Kells. Developed at the Irish media company Cartoon Saloon by co-founder Tomm Moore, who wrote the story with screenwriter Fabrice Ziolkowski and directed with Nora Twomey, the animated indie weds the design sensibilities of traditional Insular art with the stylized simplicity of such contemporary retro animation as "Samurai Jack" or "Star Wars: The Clone Wars." Astonishingly, the breathtakingly beautiful work (witness the dappled light playing over the hero as he walks through the forest) is nearly all hand-drawn, with very little computer animation.

Brendan, voiced by Evan McGuire

A similar blend of simplicity and elaboration animates the narrative, told from the perspective of young Brendan (Evan McGuire), an orphan living at the abbey of Kells under the sternly watchful eye of Abbot Cellach (Brendan Gleeson), Brendan's uncle. Brendan's world is half Christian, half Faerie, with barbaric invaders, woodland sprites and dark gods coexisting, at least for the time being, with the work of the monks—works like "the book that turns darkness into light," according to the opening voiceover by the woodland fairy Aisling (Christen Mooney), whom Brendan meets and befriends in the forest.

"Turning darkness into light" is the last line of a well-known free rendering of the poem "Pangur Bán"; and the book, of course, is the Book of Kells, also called the Book of Iona or the Book of Columba. One source claims that the monk who wrote "Pangur Bán" did so while working on the Book of Kells (dubiously enough, though they date to approximately the same period). It's enough of a hook to place Pangur Bán in the keeping of Brother Aidan, an illuminator who brings the unfinished book from the isle of Iona to Kells.

The Book of Kells, a fantastically decorated edition of the Four Gospels, is both one of the finest works of medieval Irish illumination, and the best-known symbol of the Irish illuminated manuscript tradition. The Irish monks have been credited with "turning darkness into light," not only with respect to the light of the gospel, but also in helping to preserve the light of classical learning through the Dark Ages of barbarian conquest. "If there were no books," exclaims an elderly brother, "all knowledge would be lost forever!" (Thomas Cahill, with perhaps more rhetorical flair than historical accuracy, has elaborated on the contributions of the Irish monks in his hyperbolically titled How the Irish Saved Civilization.)

Faeries are everywhere in this fable

Much of this is implicitly presupposed, but not spelled out, in The Secret of Kells, which offers virtually no hint of the contents of the Book of Kells, or of the contents of the Faith it embodies. We are told about, and finally shown, the splendor of the Chi-Rho page, a stylized depiction of the Chi-Rho monogram representing the first two letters of "Christ" in Greek (often seen, like the Ichthus fish, in sacred art)—but not what the Chi-Rho is.

It must be admitted that The Secret of Kells somewhat short-changes Brendan's Christian world in relation to Ireland's lingering paganism. The Faerie world is matter-of-factly depicted as living, magical and powerful; Christianity is mundane and limited. In the Irish countryside Brendan encounters spirits both charming and terrifying (Aisling the fairy, the bloodthirsty dark god Crom Cruach)—but he sees nothing to evoke the extravagant miracles of the saints that are equally a part of Irish lore. The film teases us with the alleged powers of the Book—said to have the power to blind sinners who gaze upon it—but when this is put to the ultimate test, it is the sinner, not the book, that has the upper hand.

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