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February 12, 2012

Home > Movies > Reviews > 2010
Youth in Revolt
Michael Cera shows both his naive and nasty sides in this adaptation of the cult classic novel.






Youth in Revolt

Our rating: 2½ Stars - Fair Your rating:


Your Comments: see all

MPAA rating: R
(for sexual content, language, and drug use)

Genre: Comedy

Theater release:
January 08, 2010
by Dimension Films

Directed by: Miguel Arteta

Runtime: 1 hour 30 minutes

Cast: Michael Cera (Nick Twisp), Steve Buscemi (George Twisp), Portia Doubleday (Sheeni Saunders), Jean Smart (Estelle Twisp), Fred Willard (Mr. Ferguson), Zach Galifanakis (Jerry), Justin Long (Paul Saunders)

Related:
Talk About It/Family Corner


I cannot be the only one who suffered through this experience: as a high school student who had been raised on books (mostly nineteenth-century novels) and not television, I had an abnormally large vocabulary, but not much experience with the world outside my own. I would whip out a five-dollar word that I'd never realized people only use in books, like nefarious, or irascible, or depredation. The situation worsened when I went to an engineering college and got equally cross-eyed looks for saying engender or innocuous. Sufficiently shamed by a body of knowledge I didn't even realize I had, I stopped using big or obscure words. I was weird.

Youth in Revolt, based on the novel with a cult following, is a story for us of the big words and the naïveté—who were sometimes good, not always because we wanted to be, but because we couldn't figure out how to be bad. Nick Twisp (Michael Cera), a high school student, loves books, foreign films, and jazz. His parents—emphatically not aesthetes—are divorcing, and each has their own inappropriate live-in paramour. But Nick lives with his Mom (Jean Smart), and when her boyfriend, Jerry (Zach Galifanakis), ends up with people coming after him, they decide to get out of town quick via a spur-of-the-moment, week-long vacation to the beach.

Michael Cera as Nick Twisp
Michael Cera as Nick Twisp

Nick is a misfit in his world, but during this brief exile he meets Sheeni (Portia Doubleday), a beautiful girl who also can converse intelligently about the French New Wave. She's the perfect girl for Nick, but she has a mysterious boyfriend and some exceedingly religious parents (their two-story trailer home's doorbell plays "Rock of Ages"). Nick falls desperately in love with Sheeni, but must return home. So he concocts a plan to get kicked out of his mother's house, go live with his father (Steve Buscemi), and talk his father into getting a job in Sheeni's town, and eventually take Sheeni away from her life into one where they'll both feel at home. And, Nick hopes, he'll finally lose his virginity. It's so crazy that it's got to work.

The only problem is that Nick is unfailingly polite and well-behaved, the kind of teenage son every mother wants. What to do? Desperate, Nick concocts a chain-smoking French alter ego named Francois who will do all the things he won't do: swear at his parents, damage property, burn things down. The naïve Nick throws hysterical wrenches into Francois's plans. Sheeni's parents aren't impressed. The fun is just beginning.

Nick falls hard for Sheeni (Portia Doubleday)
Nick falls hard for Sheeni (Portia Doubleday)

Michael Cera is practically his own genre, all members of which are variations on the innocent, good-hearted George Michael Bluth from Arrested Development. From Juno to Superbad to Nick and Norah's Infinite Playlist, we can know what we're getting when we go to a Michael Cera film: wide-eyed naivete, a teenager with an old soul that renders him uncomfortable with the attitudes of his peers.

Nick Twisp is definitely that character. But in Youth in Revolt, Cera gets to play both the guy next door and the devil-may-care bad boy, Francois, and grow a moustache, wear white jeans, and smoke. (Is Cera playing his own alter ego?)  And he's got chops: a mean stare and an excellent nasty attitude. There's more to Michael Cera than the lovable boy scout.

Youth in Revolt is a funny (and at times hysterical) movie—oversexed and raunchy, to be sure, but also sweet. It should not be surprising that the characters, like many of their contemporaries, equate sex with love; on the other hand, Nick really does love Sheeni, and he is desperately interested in her. We can be reasonably certain that they'll figure out a way to be together.

Adhir Kalyan (right) as Nick's new friend Vijay
Adhir Kalyan (right) as Nick's new friend Vijay

The film's weakest point, which will probably not dissuade fans of the book, is that it is simply too episodic. Life is a series of events that are strung together, but that's somehow unsettling in movies. But the dialogue is funny and tight, and a cast of stellar supporting actors keep things interesting.

Youth in Revolt starts out like most traditional coming-of-age stories, but skews absurdist fairly quickly, making it something else altogether. Nick is not really coming of age; he's already more mature than most of the people around him. But he's coming into his own as a young man by revolting against himself—however ineptly. 




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[Reader Reviews]

Displaying 1–3 of 7 comments

Duran

January 12, 2010  12:50am

I wouldn't blame our social problems on movies; I think certain movies have stronger influences on people, but it's very rare that a film leads a revolution. Parents do have major responsibilities when it comes to helping their children discern movies, but filmmakers shouldn't just make a movie for fun. That has always seemed like a waste of time to me. I know making money is the priority in Hollywood, but that doesn't mean we shouldn't hold it against them when they throw slop on a screen and call it art. If the movie is satire, then the satire should be serving a purpose. Satire is sarcasm at its best, and behind all sarcasm is a persuasive thesis. I still haven't seen "Youth in Revolt," but what would you say it's trying to persuade us to? Despite what you've said so far, I still feel like I would have to dig through too much to get to too little in this movie.

Jonathan

January 10, 2010  8:43pm

To Duran:In reality, the only reason people blame movies for social problems is because it's an easy scapegoat. A movie is not supposed to be a PSA, it's not supposed to be a guide of morals. It's the job of the parent to understand and inform their children. Besides, the film has a clear R-rating, and people who pay attention know that the film's message isn't supposed to be taken literally, that the film is a satire. To Sean: Just because a movie shows something doesn't that's the message. Like I said, the film is supposed to be a satire and viewers who pay attention will notice that. Teenagers find ways to sleep around and drink anyway. Rather than shaming them (what I see in modern christian parents), it's better to maturely discuss these subjects as a prologue to this or any other raunch-com, once again, something that should be the responsibility of the person who birthed their child in the first place.

Duran

January 10, 2010  12:38pm

Sorry, I had another thought. The inclusion of raunchiness and sexuality in a movie that is trying teach teenagers good morals is hypocritical. It shows that good morals can be ignored for some periods of time for the fun of it. I'm good now.

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