Mirror Mirror, the first Snow White adaption of the year (Snow White and the Huntsman opens June 1), may be better than expected. In the hands of director Tarsem Singh, the film allures us with striking eye candy from start to finish, and the delightful cast, especially the beloved Julia Roberts, even elicits a few laughs. But, as with all of Tarsem's work (The Cell, The Fall, Immortals), it fails to tell a dense and cohesive story or connect with us emotionally.
Working with screenwriters Melisa Wallack and Jason Keller, Tarsem takes a fun approach to the classic fairy tale. He doesn't just put his own twists and turns on the story—the functionalities of the mirror, the apple, the prince—he modernizes it. Despite living in a dated fantasy world, the characters walk and talk like people today. There's also a self-awareness in how Mirror Mirror satirizes the story and genre—the pretentiousness of Snow White's name, for example. Such an update gives the film undeniable appeal and, to some degree, justifies its being made—after all, if rebooting a franchise, you better do something new.
Lily Collins as Snow White
The cast helps realize this modernization. Playing Snow White, Lily Collins (most notably from The Blind Side), looks like the princess with her pale skin and jet black hair while adding a whole new attitude, replacing naivety with spunk. It's not necessarily a remarkable turn, but Collins has a certain charm that makes her watchable, from a romance between her and Prince Alcott (Armie Hammer of The Social Network and J Edgar) to her humorous interactions with the seven dwarfs, who now live as thieves and rogues (who would have thought?). Roberts stands out the most in spite of her inconsistency trying to use a British accent. Full of spite and snark as the superficial Queen, she gives Mirror Mirror the little depth and amusement there is, as her ridiculous character epitomizes the very definition of vanity.
Julia Roberts as the Queen
If the film works at all, it's partly due to these performances but primarily because of Tarsem's vivid visuals. While often criticized for creating films with shallow, incoherent stories, he is known for his distinct aesthetics—elaborate sets, strange and bizarre images, a vast array of colors—and he flaunts them here. Whether the cleverly animated introduction, the bright costumes, the high-scale setting for the mirror scenes, the swift action sequences, or the Queen's many eccentric parties, Mirror Mirror is a colorful and magical visual feast.
Unfortunately, Tarsem—in his typical fashion—emphasizes the visuals at the expense of story. In fact, it seems like he built the story around the visuals—several scenes look spectacular but don't advance character or narrative at all—instead of the other way around. This leaves Mirror Mirror annoyingly incoherent because the many moving parts don't work together for the good of the overarching story. Because it's so muddled, we don't know who or what to focus on or care about. We're never allowed to go beneath its dazzling surface; we're never enthralled.
Armie Hammer as Prince Alcott
Is the story about Snow White or The Queen? We're not sure. Is it about love, jealousy, family, friendship, or charity? We don't know. The film says something about many things—morals, politics, gender, love, family, religion—but, in turn, says absolutely nothing. It doesn't even tackle any of the simplistic lessons of the original fairy tale, failing to teach or enlighten. Tarsem robs his film of a connecting point—a genuine sense of humanity—by overindulging in visual splendor.
Snow hangs with the dwarfs
These missteps don't make Mirror Mirror completely unenjoyable or unwatchable; the strong cast and vibrant images are a pleasure. But since the sum of these performances and its visuals add up to very little of substance, we'll move on afterward, forgetting any of it ever existed. Or did it?
Talk About It
Discussion starters
How is the Queen a symbol of vanity? What does the Bible say about vanity? What are the consequences of it?
What do Snow White's interactions with the dwarfs teach us about love and judgment? Do you ever look down on people because they are different? Did this part of the film feel too politically correct?
What is the most important theme or lesson of the story? Is it vanity, jealousy, love, compassion, courage, or the consequences of sin? How does that apply to your life?
The Family Corner
For parents to consider
Mirror Mirror is rated PG for some fantasy action and mild rude humor. Though not violent or bloody, the action sequences are fast and intense, especially a scene where Snow White defends herself against a scary monster. There are a few humorous sexual inferences. The Queen appears lustfully attracted to Prince Alcott and makes note of his body.
While we pray for peace, we need moral clarity about this war.
A Christian reconciliation group in Israel and Palestine warned that war would come. Now the war threatens their relevance.العربيةFrançais
Eastern Orthodox poet Scott Cairns reflects on his new collection, his journey of faith, and poetry’s capacity to apprehend inexhaustible realities.
