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Abandon (Vertical/Integrity)

In a year filled with forgettable attempts at modern worship music, here's one that has consistently been a favorite for many. A young worship leader from New Orleans, Jason Morant is committed to glorifying God through words and music that connect with worshippers without following a stale pattern. It's the difference between writing a repetitive praise chorus and a fully developed song. This sure-footed singer and multi-instrumentalist applies generous helpings of Delirious and Coldplay to his music, but he handles it well with a keen sense of arrangement. He sounds just as strong and dynamic with a full band on the album as he does with only guitar and keyboard accompaniment live (as heard on Bebo Norman's Fall 2004 tour). The fact that Morant's first album rivals the sound and scope of Delirious' latest album in the same year is certainly indicative of his potential.
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James Clay (Inpop)

Here's a breakthrough talent that isn't getting the attention he deserves. James Clay's self-titled debut is strong enough to make our 2004 list of Best Christian albums. It's the sort of project we'd expect from a seasoned veteran, not an early twenty-something who's been writing and playing for less than ten years. Equipped with a strong testimony about disillusioned faith and misguided love, Clay lets his story seep into his lyricism without overwhelming it. The songs are gritty and real enough to let the message of God's grace and mercy resonate all the more. Producer Phil Madeira matches it with a classic rock feel that will appeal to fans of Counting Crows, Third Day, and Eric Clapton. Clay is a major find and promising new talent in Christian music; it'd be an absolute shame if his music didn't find a wider audience.
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Divine Invitation (Sparrow/EMI)

Another outstanding creative entry to the modern worship movement, Something Like Silas has already amassed a strong following through their home church in San Diego. Now they've shared their artistry with the world thanks to this national debut produced by Steve Hindalong and Derri Daugherty of The Choir. The band's progressive approach doesn't readily lend itself to congregational singing, but Divine Invitation is atmospheric, energetic, and reverent in its worship. With prayeful lyricism that's meditative and moving, this is geared particularly to the college audience and those who favor worship pioneers like Delirious, The Violet Burning, David Crowder Band, Matt Redman, and Rock 'n' Roll Worship Circus. Yet Something Like Silas borrows elements from all these (and more) while retaining a unique musical vision of worship. We can only hope their work will continue to transcend the music industry norm and connect hearts to Christ.
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