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May 26, 2012

Home > Music > Commentaries > 2005
Learning from the Masters
The modern worship movement, with its me-focused lyrics and shallow choruses, could take a cue from some of the great hymn writers of yesteryear.




The modern worship music explosion has certainly had its benefits, helping many believers develop a deeper appreciation for worship and for drawing closer to God.

But while many of today's worship songs certainly have style, they often lack substance, relying on "me-focused" lyrics and shallow choruses, often repeated ad nauseum. What gives?

I think often, though not always, the answer is as simple as this: The songwriters simply haven't yet matured enough, theologically or experientially, to get it just right. They haven't been through the fire, so to speak, that's often needed to ignite the insight necessary for penning lyrics of depth and eternal significance.

Shawn Craig knows what I mean. He's been in the music industry for 14 years as one-third of Phillips, Craig & Dean, popular for their worship music. But he's been in the business of pastoring souls even longer at South County Christian Center in St. Louis. When he writes songs, he's got something of real substance to draw from.

"As a pastor, I've learned the importance of reinforcing the doctrines of the church," Craig says. "There are some popular worshipchoruses that I have refused simply because they are not in alignment with basic Christian doctrine. The ones I am most concerned about are those that trivialize God."

How did Craig make sure he didn't fall into those same errors? "As a theology student, I've seen the importance of emphasizing the major points of the gospel. How easy it is to get off track! I'm still trying to write a song that the church will sing 100 years from now. So far, I'm not even close! How did Charles Wesley do it?"

How indeed? Wesley, like other great hymn writers whose works have stood the test of time, first went through the fire before penning his greatest hymns. What can we learn from Wesley and the other masters—and why do their hymns continue to endure? Let's look at three of them.

Charles Wesley (1708-1788)

Shawn Craig wondered how Wesley could write such enduring hymns. One answer might be because he wrote so many of them—no fewer than 8,989 hymns, including Oh, For a Thousand Tongues to Sing, and Hark! The Herald Angels Sing. What drove this man to churn out so many timeless classics?

Charles Wesley, the brother of the famous evangelical preacher John Wesley, was an Anglican clergyman. Charles was educated at Oxford, but that wasn't much help spiritually. He later wrote that Christ Church college was "certainly the worst place in the world to begin a reformation; a man stands a very fair chance of being laughed out of his religion at his first setting out, in a place where 'tis scandalous to have any at all."

But set out Wesley did, and no event informs his faith—or his music—more than the "heart revival" both brothers experienced, and the club they formed afterward to promote personal lives of holiness. This "Holy Club" met regularly in groups of three or four for prayer, devotional study, and mutual encouragement to live lives of faith and piety. For this, the Wesley brothers earned their peers' undying scorn.

Townspeople didn't care for the Wesley brothers either. It's said that Wesley wrote Jesus, Lover of My Soul just after some Irishmen attacked him on the grounds that they disapproved of his doctrine. Fleeing the mob, Wesley hid in the milkhouse of a local farmer, then took refuge under a hedge behind the building, where he wrote:




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