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February 14, 2012

Home > Music > 2009 > August
New Music: Two for the Soul
Gospel gems from Ashley Cleveland and Ginny Owens.




God Don't Never Change
by Ashley Cleveland
E1 Entertainment, May 2009
$12.99


Say Amen
by Ginny Owens
2009
$17.99


Two of contemporary Christian music's finest, Ashley Cleveland and Ginny Owens, have released a pair of albums that show deep appreciation for spiritual legacy and music history—with enthusiastic nods to black gospel, everything from field hollers to bluesy soul.

Cleveland's God Don't Never Change (Koch Records) runs the gamut from the mass choir gospel romp "Going to Heaven to Meet the King" (from a rare 45 lp by Mattie Moss Clark) to the slow build of "Joy Joy" (by the Edwin Hawkins Singers) to the blues-soaked "I'm Going to Live the Life I Sing About in My Song" (by the great Thomas Dorsey).

The album begins with the rousing "My God Called Me This Morning," an old field holler. It is one of several tracks showcasing the outstanding guitar work of Cleveland's husband, Kenny Greenberg, who also produced the album. The couple was inspired by an npr interview with gospel music expert Robert Darden, who played snippets of obscure recordings during the December 2007 broadcast. Afterward, Greenberg told his wife, "You need to make a record of that music. That's you." She agreed, and the result, with Cleveland's Grammy Award-winning, sandpaper-blues vocals at the core, is one of 2009's best albums.

Owens's Say Amen (independent) was born from a similar desire to extol the excellence of traditional hymns and spirituals. "I grew up on a steady diet of black gospel music," Owens says. "And it ain't scared to show up on this project." It sure ain't, especially on the Owens-penned title track and the stirring "Don't Ya Let Nobody Turn You Round," on which you'd swear you were listening to a black gospel veteran instead of a young white woman.

Owens, a pianist with a voice alternately silky and raspy, covers a lot of territory, from a jazzed-up version of "O Sacred Head Now Wounded," to a tender, fiddle-accompanied "Do Not Pass Me By," to an a capella rendition of "Beautiful Savior," with Owens singing all of the vocals. Several tracks, such as "Be Thou My Vision" and "It Is Well," take on extra meaning when sung by the blind Owens, especially lyrics like, "And Lord, haste the day when my faith shall be sight."

It is well with these albums, too. Haste the day for a listen.

Mark Moring, CT associate editor



Related Elsewhere:

God Don't Never Change is available at Amazon.com and Say Amen is available at Ginny Owens's website.

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[Reader Reviews]

SteveH

September 02, 2009  10:03am

Will you now review some real music, to wit, Michael Roe's new CD "We All Gonna Face the Rising Sun"?

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Patrick Gann

August 21, 2009  1:54pm

Ginny Owens' album is good stuff.

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Jer

August 20, 2009  4:23pm

I listened to clips from the Cleveland album and must admit it is no where near the five star rating given here. Two stars is more like it. What little soul is evident in these interpretations is sucked dry by overproduction and cliche. This is the kind of schlock for folks who have never heard original gospel/blues artists like Blind Willie Johnson, Rev. Gary Davis, Robert Wilkins, Mississippi Fred McDowell, Sister Rosetta Tharpe, or even the contemporary "Sacred Steel" artists "discovered" by the Arhoolie label in the 1990's (Campbell Brothers, Ted Beard, Willie Eason etc). If you want authentic, raw gospel/blues look elsewhere.

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