Leadership Journal

Maybe it's because I spent time last summer in Burundi, the poorer twin-sister country of Rwanda, which shares a similar history, tribal make-up, geography, culture, and terrifying undercurrent of genocide. Maybe it's because while there, I met some Anglican priests serving in Rwanda, who told personal stories of the tragedies there and their efforts to bring healing and reconciliation in the aftermath. Maybe it's because (I know some readers will be tempted to write me off after reading this sentence) I was so frustrated by last year's promotional hype surrounding Mel Gibson's The Passion of the Christ, and I was so frustrated by the movie itself, although I know many good people found it moving and spiritually edifying. Maybe it's because I have deep concerns about the alignment of major sectors of Christianity with "red-state Republicanism," and I worry that a kind of modernist, nationalist neo-fundamentalism is trying to claim all Christian territory as its sovereign domain.

For whatever reason, when I walked out of the recent film Hotel Rwanda, the story of a hotel manager who saves more than a thousand Tutsi refugees from Hutu-led genocide, this thought wouldn't leave me: If we really had the mind and heart of Christ, this is the movie we would be urging people in our churches to see.

It's been well over a week since I saw the film, and I still feel a churning inside me, a disquiet, a rumble in my heart that feels to me like "burden" that the old prophets used to speak of, maybe even a simmering heat reminiscent of Jeremiah's "fire in my bones." And now, I realize that even raising these kinds of questions very possibly has stimulated defensive and divisive temptations in many readers. "This guy must be a liberal," some readers are thinking. "Go get 'em, Brian!" others might be saying.

Then I go back to the film again. I think about Tutsi and Hutu locked in a cycle of fear and aggression, insult and revenge, attack and counterattack. And I also think of the Twa (the literal "little people" of our world) whose story is so little known, who suffer in the crossfire between the larger, more powerful tribes. And I think about how our community of Christian believers is divided by tribes also caught in long-standing cycles that seem to defy reconciliation: Protestant, Catholic; liberal, conservative red-state, blue-state; contemporary, traditional; postmodern, modern; seeker-driven, seeker-sensitive; purpose-driven, tradition-driven, and so on.

And I go back to the film, and think of the hotel and its manager, himself a Hutu, but one who loves Tutsi as well. I think about his distinction early in the film between family (who deserve help) and non-family (who one can't worry about), and how in the course of the genocide, he comes to see that all neighbors are family. And I wonder why so few of us see our neighbors in the Christian faith in anything close to a similar way, not to mention our non-Christian neighbors who may also be modern-day prostitutes, ...