Hero Maker
Randall Wallace, the writer of Braveheart and We Were Soldiers, and his films are in the spotlight this weekend at the City of the Angels Film Festival, with the theme of "Heroism: What Price Glory?"
by Eric David | posted 10/18/2006
 1 of 2
Graphic violence in films? Randall Wallace doesn't mind one bit. He even encourages it … under the right circumstances.
Wallace, the writer of Braveheart and the writer/director of We Were Soldiers, knows a little something about violent movies. And he knows a little something about heroes—one of his favorite topics when making a film.
That's why Wallace is the guest of honor at this weekend's City of the Angels Film Festival (CAFF), which will spotlight Wallace's movies—and a couple that have influenced him—under the festival theme, "Heroism: What Price Glory?"
The CAFF is just one of several elements of the annual Cinema Studies Conference, a four-day event (Oct. 19-22) which also features an academic conference hosted by the L.A. Film Studies Center (LAFSC), a Reel Spirituality conference sponsored by the Brehm Center at Fuller Theological Seminary, and culminating in the 13th annual CAFF.
Wallace on the set of 'We Were Soldiers'
Wallace, a devout Christian who almost earned an MDiv from Duke Divinity School, says his faith strongly informs his filmmaking. At a Willow Creek conference last year, he said, "In every project I've had a moment when I've had to get down on my knees and pray, 'If this is the time, Lord, you want me to show my sons what a man does when he gets knocked down, then let me have that failure, bring it on. But please help me get up, please give me the strength to show them that if I go down, I'm going down with my flags flying, I'm going down bold in the truth as I see it.'"
Wallace's films are rife with the theme of heroism. In addition to Braveheart and We Were Soldiers, Wallace wrote Pearl Harbor and wrote and directed The Man in the Iron Mask.
We recently interviewed Wallace, who is now working on financing a movie titled The Mercenary, an adaptation of his own novel about Catherine the Great, Love and Honor.
You attended seminary yet chose an entertainment career. Are the two vocations all that different from each other?
Wallace: There are definite similarities; both careers seek to inspire. A writer/director of movies, like the pastor of a church, has the duty of encouraging people to believe, and can't do that without believing himself.Both careers seem to bring out the best and the worst in people, in those who do the job and those they encounter in doing it.
But …
Wallace: But we expect—we seem to actually crave—great flaws in entertainment industry people, while we demand that ministers be models of almost inhuman perfection.
As a Christian, how do you explain the graphic violence of your films?
Wallace: I emphasize the distinction between graphic and gratuitous.I've always intended any violence in my movies to be realistic, to tell the truth. We owe that to soldiers, we owe it to heroes.
But wouldn't a God of love have a problem with this? What would Jesus watch?
Wallace: I resist and even resent the notion that a film with faith-based values has to be placid, soft, un-masculine and un-muscular. As a Christian, I take seriously the Incarnation—that God expressed himself in Jesus, whose life was tangible and physical, as our lives are now. And to have real life in this world we must be prepared to bleed, as he did.
Browse More Movies
CT Movies Home Page | Now Showing | New on Video | All Reviews
Coming Soon | Discussion Guides | Interviews | Commentary
News & Misc. | Special Sections | About Us
Your Feedback | About Us | CT Mag Home Page
| |
|
