Elizabethtown
Review by Lisa Ann Cockrel | posted 10/14/2005
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There is a scene in Elizabethtown during which Drew Baylor (Orlando Bloom) gets his first look at his father's dead body, lying in repose at a funeral home. As he's trying to discern what mood the mortician seems to have painted his dad's face into, the soundtrack kicks in with Elton John's "My Father's Gun" and I, right on cue, get chills. It's that kind of goose bump-inducing marriage of film and music that fans have come to expect from Cameron Crowe's movies—and his latest certainly doesn't disappoint on that score.
Named for a city in western Kentucky, Elizabethtown tells the story of Drew Baylor, a shoe designer who, on the day we meet him, is fired from his job in Oregon (when his latest design flops, costing his company almost a billion dollars), is dumped by his girlfriend, contemplates suicide—and then learns his father has died in Kentucky where he was visiting family. Dad's death puts Drew's suicide plans on hold, since his distraught mother and sister insist that Drew travel to Kentucky to retrieve the body.
Drew (Orlando Bloom) meets flight attendant Claire (Kirsten Dunst) on the way to Kentucky
On his flight from Oregon to Kentucky, Drew meets preternaturally perky flight attendant Claire Colburn (Kirsten Dunst), who gives him pronunciation lessons (Louisville = LOO-uh-vul), driving instructions to Elizabethtown ("don't miss exit 60B; it's tricky"), and her phone number. Despite Claire's careful instructions, Drew does manage to get lost at 60B but eventually makes his way to Elizabethtown, where he's greeted in by a cadre of eccentric small-town characters—family and friends. Paul Schneider (All the Real Girls, George Washington) shines in his supporting role as cousin, single father, and wannabe rock star Jesse. And the rest of the family is populated with familiar faces—Aunt Dora (TV cook Paula Deen), Uncle Dale (Loudon Wainwright III), Sharon (Patty Griffin), and Jesse's band mates (My Morning Jacket, from nearby Louisville).
Among the quirky relatives Drew meets is cousin Jessie Baylor (Paul Schneider)
In Elizabethtown, Drew is reintroduced to the vibrant community he hasn't visited since he was a child. He wrestles with the town's perception of him—a successful hot-shot shoe designer from the West Coast—and the failure he knows he's become. He also reflects on all the time his work forced him to spend away from his family. Now that his dad is gone, was it really worth it? This is, of course, the central tension Crowe is trying to address—what is our vision for what constitutes a well-lived life? Society might define it as one with plenty of monetary success and status. But perhaps there's more to it. And perhaps that "more" has to do with being deeply connected to your family, with learning how to live through failure, with falling in love.
The ideas that drive Elizabethtown are of the most ideal and worthwhile sort. Where the movie stumbles isn't so much in substance, as in emphasis. The opening sequence in which Drew is fired serves to set up the tension between two visions of life, but it could have served that purpose in a fraction of the time and left more room for the closing road trip, to which the narrative builds, to serve as more than a coda. And while it's almost impossible to imagine a Crowe-penned screenplay without a redemptive heroine, it would have been interesting to see what would have happened in the development of the family storyline if Claire played a smaller role. For example, at one point, in the course of giving his son Jesse a lecture about needing to keep a tighter reign on his own young son, Uncle Dale says pointedly, "You can't be friends with your own son!" I wish Crowe had further explored that idea. As it is, Drew spends his days with his family and his nights with Claire (yes, he kept her phone number), and I can't tell whether the love story is interrupting the flow of the family story or vice versa.
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