Proof
Review by Peter T. Chattaway | posted 9/16/2005
 1 of 3
Proof is such a nice little film that you almost wish it didn't come with such a weighty pedigree. The film is based on a Pulitzer-winning play by David Auburn, who wrote the screenplay with Arthur Miller's daughter Rebecca. The film stars Oscar winners like Anthony Hopkins and Gwyneth Paltrow, the latter of whom is here reunited with director John Madden for the first time since their prize-winning collaboration on Shakespeare in Love. Add to this the fact that the film is about mathematicians who fear for their sanity, and the viewer could be forgiven for expecting another mind-expanding opus like A Beautiful Mind or Pi.
Gwyneth Paltrow and Jake Gyllenhaal in the lead roles
Proof does touch on big ideas, but very lightly, and whatever concern it expresses for the mind is ultimately channeled towards the heart. This may be a film about intellectuals, but it is not an intellectual film. The story concerns a math student named Catherine (Paltrow) who has put her education on hold to look after her father, Robert (Hopkins), a once-brilliant mathematician whose career came to an end due to the onset of dementia. The film begins shortly before Robert's funeral, which happens to coincide with Catherine's 27th birthday. Robert is dead, but Catherine still sees him and talks to him occasionally, which is one of a few things that cause her to wonder if she has inherited his tendency towards madness. And since most mathematicians do their best work by their mid-20s, Catherine also faces the possibility that there may be no point in going back to school. She may be preparing for her father's funeral, but her own life might just as well be over, too.
Catherine's reclusive, anti-social tendencies are not helped by the presence of two other people in her father's house. Hal (Jake Gyllenhaal), a math teacher who was once Robert's dissertation student, pores through the hundred-plus notebooks filled with Robert's ramblings in search of something, anything, that might have been the late professor's one last meaningful contribution to the field. Catherine regards this with an attitude that wavers between dismissive and paranoid; she highly doubts that her father did write anything useful, but if he did, she suspects Hal will try to steal it and pass it off as his own. Meanwhile, Catherine's sister Claire (Hope Davis) comes back to Chicago from New York, ostensibly for the funeral but also to nudge Catherine into starting a new life.
Anthony Hopkins plays Paltrow's father
In the original stage play, these four people were the only characters, but the film wisely opens things up just a tad, particularly in a flashback to Catherine's own brief experience as a student under one of her father's colleagues (Roshan Seth). It also shifts some of the other flashbacks around in a way that makes good use of film's ability to slip back and forth in time. It also makes one of the story's central mysteries more involving.
Some of the character quirks are nicely developed. Hal, it turns out, plays in a rock band comprised of math geeks; one of their best and most amusing tunes, if it can be called that, is an utterly minimalist in-joke. Claire is a bit of a control freak, who pesters her sister with questions and recommendations regarding her diet, her hair, and her attire, but Davis manages to wring some humanity out of her. One of the film's more amusing ironies is that Claire insists on hosting a party on the night of the funeral, despite Catherine's objections, but it is Claire who wakes up with a bad hangover, while Catherine experiences one of her few moments of happiness, thanks to a breakthrough in her relationship with Hal.
Browse More Movies
CT Movies Home Page | Now Showing | New on Video | All Reviews
Coming Soon | Discussion Guides | Interviews | Commentary
News & Misc. | Special Sections | About Us
Your Feedback | About Us | CT Mag Home Page
| |
|
