September Dawn
Review by Peter T. Chattaway | posted 8/22/2007
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September Dawn
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MPAA rating: R
(for violence)
Genre: Historical, Romance
Theater release:
August 22, 2007
by Black Diamond Pictures
Directed by: Christopher Cain
Runtime: 1 hour 50 minutes
Cast: Jon Voight (Bishop Jacob Samuelson), Trent Ford (Jonathan Samuelson), Tamara Hope (Emily Hudson), Terence Stamp (Brigham Young), Dean Cain (Joseph Smith), Lolita Davidovich (Nancy Dunlap), Taylor Handley (Micah Samuelson), Shaun Johnston (Captain Fancher), Jon Gries (John D. Lee)
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There is no historical event so grand, so tragic, so complex that it cannot be reduced to a love story. From the American Civil War to the sinking of the Titanic, the images that dominate our memory of the past have often come from the utterly fictitious movies that use these events as epic backdrops for sweeping romances.
So when Daryl F. Zanuck, the founder of 20th Century Fox, produced Brigham Young in 1940, he knew it was not enough to lay out the historical facts, even in a highly mythic form. His film was designed to cast the early Mormon leader in the best, most heroic light possible, but the title role went to a lesser actor named Dean Jagger (who, incidentally, went on to convert to Mormonism some years later). The star of the film was matinee idol Tyrone Power, who played a young Mormon lad who falls in love with a Christian girl as the Mormon pioneers make their historic trek to Utah.
Trent Ford as Jonathan and Tamara Hope as Emily
Writer-director Christopher Cain has the exact opposite agenda in September Dawn, but he follows a similar narrative logic. The film concerns the Mountain Meadows Massacre, in which over 100 men, women and children, passing through Utah in a wagon train in 1857, were slaughtered by Mormons and their Indian allies—the largest mass murder of Americans by other Americans until the Oklahoma City bombing in 1995. And the main lens through which we witness this atrocity is a tale of forbidden love between a young Mormon man and a young Christian woman.
This might not be so bad if the love story itself were the point of the movie. The two young lovers, Jonathan Samuelson (Trent Ford) and Emily Hudson (Tamara Hope), first notice each other when he accompanies his father (Jon Voight), the local Mormon bishop, on a visit to the wagon train. The pioneers have just arrived from Arkansas and Missouri, and are on their way to California, but they need a place to stop and rest for a while—and the bishop grants it, seemingly happily.
Jon Voight as Jacob Samuelson
But privately, among his fellow Mormons, the bishop expresses hatred and contempt for the migrating settlers. The film offers a sliver of justification for his feelings, as the Mormons were persecuted in Missouri years before they came to Utah—but the flashbacks quickly indicate that the Mormons may have earned the wrath of their neighbors by proclaiming Joseph Smith (Dean Cain) a "second Mohammed," taking up arms, and trashing the office of a newspaper that was critical of them.
Jonathan, who was just a boy when all those things happened, doesn't seem to care much about all that. Despite his father's stern prayers condemning the outsiders, Jonathan spends a lot of his time down by the wagon train, taming a horse and winning Emily's affections. (Unlike his father and brothers, all of whom have multiple wives, Jonathan has none, because he is "picky"—the sign of a true romantic.)
Ford and Hope are not exactly the best actors around, but they are both quite good at communicating their characters' desire, however sublimated, for each other; this is that rare movie that finds chaste eroticism in something as innocent as a bare shoulder in the moonlight. William Ross's lovely score certainly helps, too.
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