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Peace of Mind Peace of Mind (BEC)
Released April 2003
reviewed by Andy Argyrakis
Sounds like
tobyMac's first solo effortthis is a blend of
hip-hop and hard rock, combining lots of Eminem and a little bit
of Run DMC with Limp Bizkit and Kid Rock.
At a Glance
except for a few iffy tracks, KJ-52 successfully
branches his artistry into a rocking live band setting.
When an artist becomes associated with a particular genre, the listening public can sometimes unfairly pigeonhole them to that style and prevent them from exploring new territory. Case in
point, KJ-52, who's been tagged by many as the Christian version of Eminem after just two albums, especially after the hype surrounding his letter to the controversial rapper in "Dear Slim." Though KJ's heart remains in rap and hip-hop, he's always wanted to participate in a project that breaks beyond those specific styles. Thus the creation of Peace of Mind, a side band that teams KJ with a live rock band comprised of
keyboardist/producer Todd Collins (co-founder of Gotee Records),
guitarist/producer Pete Stewart (Grammatrain, Tait, Sanctus
Real), and drummer Rick May.
From the get go, it's obvious that Peace of Mind is something quite different from the sound most would expect from KJ-52,
combining his familiar raps and wit with alternative rock and
hardcore rhythms. On "Turn It Up!" listeners are greeted with
raging guitars, percussion blasts, and aggressive rap/rock vocals
that have equal appeal to fans of Eminem and Limp Bizkit alike.
The following "Don't Ever Give Up" also demonstrates a
belligerent verve, creating a sort of Run DMC and Kid Rock hybrid
as KJ bellows out edgy rhymes over the swirling instrumentation
of the band. "Don't Ever Give Up" has one of the record's most
hard hitting messages, offering hope to a parent whose child has
been kidnapped and a boy who's been molested by his uncle. KJ
pleads for them and anyone else dealing with serious baggage:
"Don't ever give up, don't ever give in/Don't you ever let up,
don't you ever be quittin.'"
Equally encouraging is the reggae-infused "We Gon a Make It" when KJ and the band adapt a chunky rhythmic flow in the vein of Everlast, chronicling the bitter divorce of a teenager's parents.
The main character struggles with anger and depression, longing
for love and reconciliation in his family, eventually moving on
as a result of a relationship with the Lord: "My old pain and I
watched it all change/Called on Your name while I watched my old
ways/Disappear along with these fears and old shame/You wiped
away the tears that used to fall away like cold rain." The
following cut "Coming Soon" discloses a sinner's constant
struggle for earthly satisfaction, only to find it within the
eternal perspective. KJ cries out for all his past mistakes: "I'm
sorry for what I did/I'm sorry for the way I lived/I been
ignoring you ever since I was a little kid/I know that you
forgive, but can you just forgive me?"
A few of the cuts fail to match up to the record's otherwise constructive pattern. Though "Crucify" is an extremely passionate reenactment of Christ's death on the cross, it leans more heavily on the Eminem influence than the other tracks, sacrificing some of KJ's originality in the process. In contrast, "Will You Go Out
With Me?" is an unbecoming stab at the band trying to go the punk
route. Perhaps the skittish silliness on that track is included
to be funny in its portrayal of the awkwardness of dating, but if
they're even remotely serious, it's equivalent to Sum 41 at their
stupidest. The only other lull on the record is "Where You Gonna
Go," which despite its intention of reaching out to a runaway
with the love of Jesus, lags with uneventful beats of mid-tempoed
laziness that are far less stirring than the disc's many shining
moments.
That trio of tracks interrupts an otherwise strong and winning collection of tracks that includes the pulverizing electrics of "I Am," the bolting explosions throughout "Scream," and the soulful sentimental groove of "After All." The crossing of this
record's many genres is risky business, considering KJ's
inexperience with rock and propensity for humorous urban styles.
This disc shows that he can effectively step outside his comfort
zone and demonstrate some versatility, collaborating with
musicians in other genres. There's enough merit to make Peace of
Mind more than a one-time side project, but before a potential
sequel can be written, KJ is returning to the studio to follow up
his critically acclaimed Collaborations album. As fans wait for
that disc to drop later this year, I'd recommend Peace of Mind's
interesting blend of hip-hop and rock to hold them over. It's an
intriguing collaboration in its own right.
Peace of Mind Peace of Mind (BEC)
Released April 2003
reviewed by Andy Argyrakis
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