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Brian Bates
Worlds Collide
Released April 2008
reviewed by Christa Banister



Sounds like … adult pop similar to Warren Barfield, Tal Bachman, Duncan Sheik, Michael Olson, and Scott Dente.

At a glance … strong vocals and thoughtful production values help distinguish Bates' work from the typical AC pop artist.

Even if you grow up in a Christian family, there always comes a point where your faith must become your own. Minneapolis-based singer/songwriter Brian Bates thought he had a pretty good grasp of faith outside of his family's influence, but a time of spiritual wandering reminded him of one of God's unconditional love—and forever changed the importance of his beliefs.

"I didn't really sow my wild oats until college," Bates says. "I felt like I needed to experiment, and that's when my faith really got challenged. Interestingly in that period of time when I supposedly fell away from the Lord, I felt like he was part of my life the whole way through … So I don't call it falling away from the Lord, but I definitely blew him off for five years."

Bates began searching for identity and a place to belong amid partying and getting involved with the gay lifestyle, but as many Christians have discovered, Bates didn't find what he was looking for outside of God. In time, he gave up on the hedonistic lifestyle. "I left it behind because I fell in love with a God that I could trust," Bates recalls. "That is absolutely my story."

As an indie artist with two previous projects, Bates can't help but weave parts of his redemption story into the songs on Worlds Collide. It's not always easy to pour one's life story into a three-minute pop song, but Bates does so comfortably with "In Rhythm with You," a plea for closeness with God, and "Canyon," a call to step outside of our comfort zone. Later, with "Elijah" and "You Danced," Bates shares the inspiration he found in interacting with Africa's impoverished. And in "Under" (penned by PFR's Joel Hanson)Bates asks God to "Mark me with love that flows from your name/As I plunge under and rise again/Let your kingdom rule to the depths of my soul/Make me free/Make me whole."

Helmed by Nate Sabin (Sara Groves, Jason Gray), Bates' album offers a polished pop sound without falling prey to overproduction. Tracks like the buoyant opener "New Day" and the pensive confession of "Worlds Collide" are seemingly tailor-made for adult contemporary radio, but the catchy accompaniment doesn't distract from Bates' rich and robust vocals. Though a few of the higher register moments recall the likes of Warren Barfield and Michael Olson, Bates can also sound as subdued as Tal Bachman or Duncan Sheik.

All that combined with a potent sense of mission, and Bates is proof yet again that there's value in each of our stories, as well as opportunities for spiritual growth in the process.

For more information about Bates, check out www.brian-bates.com.

If you are an independent artist who would like to be considered for review on our site, please send your CD(s) and any related press materials to editor of independent artist coverage:

Christa Banister
Attn: Independent Christian Artists
300 E. 4th St. Suite 406
St. Paul, MN 55101

Due to the number of projects we receive, we are unable to cover or correspond with every artist that contributes. But we do give all submissions a fair listen for coverage consideration.



Brian Bates
Worlds Collide
Released April 2008
reviewed by Christa Banister






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