If you'd asked me two years ago if I was part of the emerging church movement, I would have thought for a second and said, "Yes." When asked today, I pause for half a second before saying, "No." The New Christians and Vintage Jesus helped me clarify my journey from Yes to No.
I found one book insignificant and the other inflated.
Let's start with the insignificant. I admire Mark Driscoll for doing significant stuff. He's planted a thriving church in a place where it's tough to do ministry and helps lead one of the more successful church planting networks around (Acts 29). I cracked open Vintage Jesus anticipating something important. Based on the title, I expected Driscoll to pop the cork on an enduring theology that over time increases in flavor and potency. But the book was more flat Coke than fine wine.
I did not find Driscoll's book very interesting. About a third of the way through the book, my mind traveled back a decade to my first week of seminary. As a preaching newbie in need of guidance, I checked out an old, small book on preaching that started by saying something like, "If your sermons are not interesting, you're missing something because God is infinitely interesting." The notion that conversations about God should be interesting resurfaced as I read Vintage Jesus and caught myself muttering, "Yeah, yeah, yeah? so what?"
I did not expect some new theology from Driscoll, since that is certainly the opposite of his well known position. But I did expect him to show that God was interesting and revolutionary. I think guys like Erwin McManus and John Burke tend to deliver better on what I expected from Vintage Jesus: how ageless truth is renewed within each generation.
Driscoll wrote boldly when it came to things that don't really matter, such as his choice of over-the-top colorful language in retelling some biblical narratives. But he held back on the truly important matters, such as how radically life-altering is our faith. Except for a few confessional moments that really stood out, he played it safe in Vintage Jesus. Maybe he didn't want to be mistaken for one of those emergent kooks who deny the basics of faith he finds important: beliefs such as hell and substitutionary atonement. Whatever the reason Driscoll chose to play small in this book, I was disappointed. I think he could have done better.
Enough of that. Let's turn now to the inflated book.
The New Christians gave a true and honest depiction of the emergent church movement. That's not to say it was an attractive picture. I felt Jones presented himself and the movement as condescending, contradictory, and closed.
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