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It was chilly in Manhattan but warm inside the Starbucks shop on 51st Street and Broadway, just a skip up from Times Square. Early November weather in New York City holds only the slightest hint of the bitter chill of late December and January, but it's enough to send the masses crowding indoors to vie for available space and warmth.

For a musician, it's the most lucrative Starbucks location in the world, I'm told, and consequently, the tips can be substantial if you play your tunes right. Apparently, we were striking all the right chords that night, because our basket was almost overflowing.

It was a fun, low-pressure gig—I was playing keyboard and singing backup for my friend who also added rhythm with an arsenal of percussion instruments. We mostly did pop songs from the '40s to the '90s with a few original tunes thrown in. During our emotional rendition of the classic, "If You Don't Know Me by Now," I noticed a lady sitting in one of the lounge chairs across from me. She was swaying to the beat and singing along.

After the tune was over, she approached me. "I apologize for singing along on that song. Did it bother you?" she asked.

"No," I replied. "We love it when the audience joins in. Would you like to sing up front on the next selection?"

To my delight, she accepted my invitation.

"You choose," I said. "What are you in the mood to sing?"

"Well. … do you know any hymns?"

Hymns? This woman didn't know who she was dealing with. I cut my teeth on hymns. Before I was even born, I was going to church. I gave our guest singer a knowing look. "Name one."

"Oh, I don't know. There are so many good ones. You pick one."

"Okay," I replied. "How about 'His Eye is on the Sparrow'?"

My new friend was silent, her eyes averted. Then she fixed her eyes on mine again and said, "Yeah. Let's do that one."

She slowly nodded her head, put down her purse, straightened her jacket and faced the center of the shop. With my two-bar setup, she began to sing.

Why should I be discouraged?
Why should the shadows come?

The audience of coffee drinkers was transfixed. Even the gurgling noises of the cappuccino machine ceased as the employees stopped what they were doing to listen. The song rose to its conclusion.

I sing because I'm happy;
I sing because I'm free.
For His eye is on the sparrow
And I know He watches me.

When the last note was sung, the applause crescendoed to a deafening roar that would have rivaled a sold-out crowd at Carnegie Hall. Embarrassed, the woman tried to shout over the din, "Oh, y'all go back to your coffee! I didn't come in here to do a concert! I just came in here to get somethin' to drink, just like you!"

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