The recent blockbuster Son of God, which brought in $26 million its opening weekend, joins a long line of these on-screen Jesuses and off-screen analyses.
If we're older, we may have laughed at 1977 Oh God star George Burns. We considered charges of anti-Semitism against Mel Gibson's Passion of the Christ. Many evangelicals, including Billy Graham, have lent endorsement to Prince of Egypt's God. Some of us have encountered a daring black God in Bruce Almighty or the female one, played by Alanis Morissette, in Dogma.
Rarely, though, do we focus on the good, the spiritual and emotional dimension, that can come from Hollywood's efforts to give God a face and voice. At this point, it's inevitable. Whether we mean to or not, we discern the contours and expressions of God's face, the ...1