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Blueprint for Worship
How to design space that lifts hearts to God
by Rob Hewitt | posted 5/01/1998
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Church architecture in America is as diverse
as America itself. Yet all worship centers, from image-rich Gothic sanctuaries
to deliberately understated auditoriums, show the influence of history, culture,
tradition, and theology. They also suggest a variety of options. With all
of that choice, how can a congregation begin to plan a worship building?
First Things First
Bruce Wardell, an architect in Charlottesville, Virginia, who has walked
many congregations through construction, says the first question a congregation
should ask is not about buildings. Rather, it should ask, "What does it mean
to worship together?"
Many evangelicals recognize the importance of community, Wardell explains.
But they have little understanding of why they gather together to worship
God as a church. "We have lost the reason for worship," he says.
Wardell has created for such Christians a slide presentation that shows how
the concept of a place of worship developed during Old and New Testament
times. After the presentation, Wardell challenges people to take a close
look at their assumptions about worship. In almost every denomination, liturgical
traditions and theology have combined to produce a particular focus for worship,
Wardell says. He suggests Christians should learn to listen without partiality
to the call of God in Scripture and to let that inform their traditions of
worship.
Matching Building to Worship
A congregation should then examine the specific characteristics of its own
group. For example, with 60 musicians in a growing congregation of 600, Preston
Wood Baptist Church in Houston, Texas, decided that the central focus of
its worship was music and song. Correspondingly, the congregation decided
that its new worship center would include ample space for a choir and orchestra,
and that it would put them close to the congregation as a reminder of unity
in praise.
An emphasis on congregational participation influenced Christ Community Church
in Charlottesville, Virginia, to design a sanctuary that was wider than it
was long. That shape will encourage greater awareness of the corporate group
gathered for worship.
Congregational focus can affect decisions about acoustics, too. Worship space
can be designed to emphasize congregational involvement, or it can be designed
like a lecture hall, which maximizes sound at the lectern and dampens what
goes on in the audience.
Churches should also think through the importance and placement of various
symbols within a worship environment. They should ask: What sacraments should
be prominent? Does preaching take precedence over worship? Will crosses or
banners be part of the interior? How will necessary features like raised
platforms affect the experience of corporate worship? What should be the
first thing people notice when they enter a structure to worship?
Answering those questions should help clarify the reasons why you come together
for worship, the importance of those gatherings, and how all of that affects
your building plans.
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