Maybe I wasn't so off-base for finding what is essentially a ghost story one of the most spiritually significant books I'd read this year.
The book journeys into the dark and supernatural as the nameless "hero" revisits his childhood home where he encounters two mysterious women—unchanged in age or appearance—he befriended in his youth. Maudlin wrote:
I love how the plot leaves open so much—what really happened, who the three women really are (a female version of the Trinity), and how these events shaped the main character—but the open space is pregnant with all the great mysteries: of life, death, tragedy, hope, meaning, and identity.
I nearly cried. That was what I loved about the book, too, the open questions and unanswered mysteries. The longing I felt after one member of the story's Trinity leaves for a spell was nothing short of, "Come Lord Jesus." As a reader, I felt eager for her to return, to solve the mysteries, to end the questions and the aches left in her absence.
The Ocean at the End of the Lane exemplifies what draws me to all great ghost stories: These stories allow us to suspend our disbelief and surrender our emotions to the big and small frights, to the rushes and chills, to the unknown and unexpected, and to feel them, sit or jump at them.
When well-written or well-told, a ghost story's characters and settings and plot become real and transformative, and we sink deeply into its world. Realizing we have survived the frights, the adrenaline rushes, the unknown ...1
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