Note: As with all TV recaps, there are spoilers below for those who did not watch the episode. If you’re only looking for a content advisory, I’ll tell you: this HBO show, were it a movie, would be rated R for language, violence, sexual content, and thematic material, but it changes from week to week. The first commentary carried a Caveat Spectator, so you can check that out. This episode does contain some scenes of physical violence that could be triggering for some viewers.
The curtain rises, this time on cross-cut shots of Patti laying out dozens of garments in the church the Guilty Remnant purchased from Matt Jamison and Kevin laying a fancy table for dinner at home with his family, such as it is: Nora, Jill, and Aimee. Both lay the implements with care and precision. Both have their guests in mind. Both even use the same flower in their preparations.
Beneath, a choir sings: “I’ve been ‘buked and I’ve been scorned . . . there is trouble all over this world.”
There is more preparation going on, too: soon Laurie is in the office at the Guilty Remnant’s house, where Patti hands a fat stack of cash in envelopes. Ready? she ask. Laurie nods, just before another man walks into the office to show Patti something else in a notebook.
For the last seven episodes, we (and Kevin) have had the sharp sense of impending doom. “Time’s up,” people keep saying. The clock has been ticking since the departures, and now it’s time.
Time for what, is the question. For Wayne, it might be the birth of his child(ren), one of who is to be the “bridge.” (And something else, certainly; Wayne, you’ll recall from the last episode, appears to be in a ...1